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Schlick'/><category term='Brunckhorst'/><category term='Giuliana Maccaroni'/><category term='Lucas Harris'/><category term='Brahms'/><category term='Mauro Giuliani'/><category term='Mendelssohn-Bartholdy'/><category term='Francesco Geminiani (1687-1762)'/><category term='Daniel Schweizer'/><category term='COLIN ANDREWS'/><category term='Giuliano Giuliani'/><category term='Organ Landscape Jerusalem'/><category term='Nicol Matt'/><category term='Boston Symphony Orchestra Claude Debussy (1862 - 1918)'/><category term='Thomas Zehetmair'/><category term='Barritt'/><category term='Academy of St. James'/><category term='Haydn'/><category term='Alfredo Ibarra'/><category term='Jean Langlais'/><category term='Camille Saint-Saens (1835-1921)'/><category term='Philharmonia Orchestra of London'/><category term='Igor Stravinsky (1882-1971)'/><category term='Malcolm Sargent'/><category term='Virgilio Ranzato'/><category term='Andrea Marcon'/><category term='Antal Dorati'/><category term='Martin Rost'/><category term='Manuel Rodrigues Coelho'/><category term='Maurice Durufle'/><category term='Piet Kee'/><category term='Ensemble Cordaria'/><category term='P.  DERRETT'/><category term='Kathleen Bride'/><category term='Wolfgang Baumgratz'/><category term='Fritz Reiner'/><category term='Gert Westphalt'/><category term='R. Minasi'/><category term='Maria Grazia Filippi'/><category term='BIS'/><category term='M. Behringer'/><category term='Dmitry Bortnyansky'/><category term='RCA Living Stereo'/><category term='Kneller'/><category term='Cesare Nordio (1891-1977)'/><category term='Jean-Jacques Kantorow'/><category term='Moscow Philharmonic Orchestra'/><category term='Modest Mussorgsky (1839–1881)'/><category term='Ulrik Spang-Hanssen'/><category term='Gunar Letzbor'/><category term='Piano Concertos'/><category term='H. Perl'/><category term='Harris'/><category term='Parnassi musici'/><category term='P. Elliot'/><category term='Christopher Herrick'/><category term='The Amadeus Orchestra'/><category term='Schubert'/><category term='Scheidemann'/><category term='Rachmaninov'/><category term='Kate van Tricht'/><category term='Julio Segni'/><category term='Attilio Ariosti'/><category term='Antonio Rosetti'/><category term='Nicolaus Bruhns (1665-1697)'/><category term='Eiji Oue'/><category term='Nigel Kennedy'/><category term='C-M. 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Caspar Ferdinand Fischer'/><category term='Leo Sowerby'/><category term='Christopher Robinson'/><category term='RPO'/><category term='Louis Robilliard'/><category term='Serge Koussevitzky'/><category term='Tomaso Albinoni (1671-1750)'/><category term='Claus Kuehnl'/><category term='National Orchestra of Spain'/><category term='Organ and...'/><category term='Anne-Sophie Mutter'/><category term='Hermitage Chamber Orchestra'/><category term='Herbert Von Karajan'/><category term='Stefan Frank'/><category term='Francis Yeend'/><category term='PHILIP MOORE'/><category term='Marilyn Mason (organ)'/><category term='Axel Borup-Jorgensen (b. 1924)'/><category term='Kyril Kondrashin'/><category term='ANDREI CHISTIAKOV'/><category term='J.P. Sweelinck'/><category term='Le Concert des Nations'/><category term='Royal Scottish National Orchestra'/><category term='Anton Bruckner'/><category term='Pieter-Jan Belder'/><category term='Rene Leibowitz'/><category term='EMIL GILELS'/><category term='Marie Ziener'/><category term='Steffens'/><category term='Helmut Winter'/><category term='Kammerorchester des Bayerischen Rundfunks'/><category term='Johann Kaspar Kerll'/><category term='Adrian Willaert'/><category term='Juan Cabanilles'/><category term='LEBEAU'/><category term='Giuseppe Tartini (1692-1770)'/><category term='Scheidt'/><category term='Organ Music'/><category term='PCM 24bit-48kHz'/><category term='Eduardo Marturet'/><category term='Rosalinde Haas'/><category term='Claudio Astronio'/><category term='Andre Isoir'/><category term='Elena Denisova'/><category term='Ignazio Sperger (1734 -1808)'/><category term='Maurice Ravel'/><category term='Michel Beroff'/><category term='Birmingham SO'/><category term='Trondheimsolistene'/><category term='Stefan Engels'/><category term='Paolo Grazzi'/><category term='Linda Kent'/><category term='Symphonies'/><category term='Georg Philipp Telemann'/><category term='Gaetano Valeri (1760/64 - 1822)'/><category term='Terje Winge'/><category term='Francesco Tasini'/><category term='D. Sepes'/><category term='Dietrich Buxtehude'/><category term='Sergei Prokofiev'/><category term='Marin Alsop'/><category term='David Lloyd-Jones'/><category term='Franz Tunder'/><category term='Debussy'/><category term='Johann Adam Reincken'/><category term='HDTT'/><category term='A. Wills'/><category term='Symphony of the Air'/><category term='Iver Kleive'/><category term='Alexander Borodin'/><category term='Antonio Vivaldi (1678-1741)'/><category term='Pascale Rouet'/><category term='RACHMANINOFF'/><category term='M. 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Santana'/><category term='William Primrose'/><category term='Rosanne Hunt'/><category term='ARTS'/><category term='Pommer'/><category term='Kristiansand Symfoniorkester'/><category term='Gary Karr'/><category term='Lois Fremaux'/><category term='Scriabin'/><category term='Feliks Nowowiejski'/><category term='Stuttgarter Kammerorchester'/><category term='Gabriel PIERNE'/><category term='Cabezon'/><category term='Harald Feller'/><category term='Christian Schmit'/><category term='Johann Ludwig Krebs'/><category term='Horatio Parker (1863-1919)'/><category term='Ravel'/><category term='Vincent D&apos;Indy'/><category term='Christian Schmitt'/><category term='Anton Guggemos'/><category term='Adrian Chandler'/><category term='Barry Wordsworth'/><category term='Giuseppe Verdi (813-1901)'/><category term='Percy Granger'/><category term='Aram Khachaturian'/><category term='Clyde Beavers'/><category term='CPO'/><category term='Giulio Segni'/><category term='Oreste Ravanello'/><category term='L&apos;Orchestre de la Suisse Romande'/><category term='John Lill'/><category term='LEON BOELLMANN (1862-1897)'/><category term='Walter Susskind'/><category term='Dmitri Shostakovich'/><category term='Duisburger Philharmoniker'/><category term='Diego Fasolis'/><category term='Mark Elder CBE'/><category term='Pablo Bruna'/><category term='Loretta O&apos;Silvian'/><category term='P. Bismuth'/><category term='Jules Grison'/><category term='Stanford'/><category term='Anne Gallet'/><category term='Baldassare Galuppi (1706-1785)'/><category term='Pure Audio Blu-ray Disc'/><category term='Maurice Abravanel'/><category term='Olaf Koch'/><category term='Antoni Diana'/><category term='Max Reger (1873 - 1916)'/><category term='Hesperion XX'/><category term='Max Baumann (1917-1999)'/><category term='Robert Schumann'/><category term='Bedrich Smetana'/><category term='Jean Boyer'/><category term='Olivier Latry'/><category term='Langlais'/><category term='M. Weckmann'/><category term='Ars Antiqua Austria'/><category term='John Ward (ca. 1589~1638)'/><category term='Martin Haselböck'/><category term='Copland'/><category term='Giovanni Maria Casini (1652-1719)'/><category term='The Simon Bolivar Youth Orchestra of Venezuela'/><category term='LEFEBURE WELY'/><category term='B. Partridge'/><category term='Anno Kesting'/><category term='Astor Piazzolla'/><category term='Wesley'/><category term='C. P .E. Bach'/><category term='RICHTER'/><category term='Claudio Merulo'/><category term='Tournemire'/><category term='Sonig Tchakerian'/><category term='HRx'/><category term='Fabrizio Ammento'/><category term='Odille Jutted'/><category term='Arturo Sacchetti'/><category term='Friedhelm Flamme'/><category term='Affetti Musicali'/><category term='Olivier Vernet'/><category term='Jonathan Darlington'/><category term='Vagn Holmboe (b. 1909)'/><category term='M. ROCHESTER'/><category term='Louie L. White'/><category term='Yuri Simonov'/><category term='Chicago SO'/><category term='Merula (1595-1665)'/><category term='Tomaso Albinoni'/><category term='Anne Horsch'/><category term='Herrick'/><category term='Alessandro Grazioli'/><category term='Boston Pops Orchestra'/><category term='Ernest Ansermet'/><category term='Trio Alborada'/><category term='Zurich Symphonic Orchestra'/><category term='R. Schumann'/><category term='Deutsche Bachsolisten'/><category term='Jerzy Erdman'/><category term='Felix Hell'/><category term='Thomas Meyer-Fiebig'/><category term='Max Pommer'/><category term='C.E.F. Weyse (1774-1842)'/><category term='Rodney Prada'/><category term='Alfred Wallenstein'/><category term='Boellmann'/><category term='Leo van Doeselaar'/><category term='Chamber Music'/><category term='Joseph Gilles'/><category term='Camille Saint-Saens'/><category term='Box-Set'/><category term='J.S. Bach'/><category term='Benjamin Hudson'/><category term='Antony Wit'/><category term='Hopkinson Smith'/><category term='Arcangelo Corelli'/><category term='Wen-Sinn Yang'/><category term='P. GOULD'/><category term='Eastman Wind Ensemble'/><category term='Dietrich Buxtehude (1637-1707)'/><category term='Matthias Schneider'/><category term='Claude Debussy (1862 - 1918)'/><category term='Kaspar Roeseling'/><category term='Sweelinck'/><category term='Julius Reubke'/><category term='Recuell Regina Clara Im Hoff'/><category term='USSR STATE SYMPHONY ORCHESTRA'/><category term='Paul Hofhaimer'/><category term='Gustav Holst'/><category term='Rachel Podger'/><category term='Sharon Bezaly'/><title type='text'>Music For All</title><subtitle type='html'>&lt;a href="http://www.easycounter.com/ru/"&gt;
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&lt;br&gt;&lt;a href="http://www.hitcounter.ru/"&gt;&lt;/a&gt;</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default?start-index=101&amp;max-results=100'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>582</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3164204625548116298</id><published>2012-02-10T18:49:00.000+01:00</published><updated>2012-02-10T18:49:27.624+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Vladimir Ashkenazy'/><category scheme='http://www.blogger.com/atom/ns#' term='RPO Holland'/><title type='text'>NEW-UP. Respighi - Symphonic Poems: V. Ashkenazy, RPO Holland. SACD-ISO + CD</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-7Vbz-MRyG-k/TzVX1YZmynI/AAAAAAAABl8/3kcSsuOLeTw/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://3.bp.blogspot.com/-7Vbz-MRyG-k/TzVX1YZmynI/AAAAAAAABl8/3kcSsuOLeTw/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 3.26GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; 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margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://sa-cd.net/showtitle/3311" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Pines of Rome - The pine-trees of the Villa Borghese&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:36&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Pines of Rome - The pine-trees near a catacomb&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:05&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Pines of Rome - The pine-trees of the Gianicolo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:03&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Pines of Rome - The pine-trees of the Appian Way&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:23&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Foutains of Rome - The fountain of Valle Giulia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:27&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Foutains of Rome - The Triton fountain in the morning&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:32&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Foutains of Rome - The fountain of Trevi at midday&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:29&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Foutains of Rome - The Villa Medici fountain at sunset&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:11&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Roman Festivals - Circenses&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:52&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Roman Festivals - The Jubilee&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:14&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Roman Festivals - The October Festival&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:00&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Roman Festivals - The Epiphany&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:57&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-OzLGeEVjTdA/TzVX9VrLikI/AAAAAAAABmE/DpOazGdlRCo/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="253" src="http://1.bp.blogspot.com/-OzLGeEVjTdA/TzVX9VrLikI/AAAAAAAABmE/DpOazGdlRCo/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/respigsparpoh.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-3164204625548116298?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/3164204625548116298/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/new-up-respighi-symphonic-poems-v.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3164204625548116298'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3164204625548116298'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/new-up-respighi-symphonic-poems-v.html' title='NEW-UP. Respighi - Symphonic Poems: V. Ashkenazy, RPO Holland. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-7Vbz-MRyG-k/TzVX1YZmynI/AAAAAAAABl8/3kcSsuOLeTw/s72-c/front.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-655600712054561248</id><published>2012-02-10T07:30:00.000+01:00</published><updated>2012-02-10T07:23:19.353+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Michael Schoenheit'/><category scheme='http://www.blogger.com/atom/ns#' term='Franz Liszt'/><title type='text'>NEW-UP. Liszt: Organ Works Vol 2 - Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg. SACD-ISO + CD</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_CqKk2gPm3lo/Sx1NjJHQVoI/AAAAAAAAAto/iesamGfYwfE/s1600-h/front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_CqKk2gPm3lo/Sx1NjJHQVoI/AAAAAAAAAto/iesamGfYwfE/s200/front.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Artist: &lt;/span&gt;&lt;a href="http://www.bach-cantatas.com/Bio/Schonheit-Michael.htm"&gt;Michael Schoenheit&lt;/a&gt; at &lt;a href="http://www.mdr.de/nah_dran/1633351-hintergrund-1633309.html"&gt;Ladegast Orgel, Dom zu Merseburg&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Album:&lt;/span&gt;&lt;a href="http://www.blogger.com/goog_1260207947266"&gt; &lt;/a&gt;&lt;a href="http://www.amazon.com/Liszt-Organ-Works-Vol-Hybrid/dp/B000BNDACG/ref=sr_1_1?ie=UTF8&amp;amp;s=music&amp;amp;qid=1260211467&amp;amp;sr=1-1"&gt;&lt;span style="text-decoration: underline;"&gt;Liszt: Organ Works Vol 2&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt; 2005&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Label:&lt;/span&gt; MDG&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Catalog N°:&lt;/span&gt; 906 1352-6&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Genre:&lt;/span&gt; Classical&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;File Format:&lt;/span&gt;&amp;nbsp;&lt;b style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.80GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="font-size: small; text-align: center;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG | 221MB&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.burosch.de/shop/shop_content.php?coID=66"&gt;2+2+2 Recording&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;On this CD:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;01.&amp;nbsp;&amp;nbsp;&amp;nbsp; Tu es Petrus&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 06:30&lt;br /&gt;02.&amp;nbsp;&amp;nbsp;&amp;nbsp; Ave Maria von Arcedelt&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 04:40&lt;br /&gt;03.&amp;nbsp;&amp;nbsp;&amp;nbsp; Ave Maria (WA Mozart)&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 03:06&lt;br /&gt;04.&amp;nbsp;&amp;nbsp;&amp;nbsp; Evocation a la chapelle sixtine&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 20:51&lt;br /&gt;05.&amp;nbsp;&amp;nbsp;&amp;nbsp; Fantasie und Fuge uber Ad nos: Fantasie&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 25:37&lt;br /&gt;06.&amp;nbsp;&amp;nbsp;&amp;nbsp; Fuge&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 10:53&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zgctAW6QDk4/TzS2vDIjghI/AAAAAAAABl0/wZ44M7Z9keA/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="275" src="http://4.bp.blogspot.com/-zgctAW6QDk4/TzS2vDIjghI/AAAAAAAABl0/wZ44M7Z9keA/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt; &lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.blogger.com/goog_1259412477157"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/ladegastmerseburgliszt2.html"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;Download links&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-655600712054561248?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/655600712054561248/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/12/liszt-organ-works-vol-2-michael.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/655600712054561248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/655600712054561248'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/12/liszt-organ-works-vol-2-michael.html' title='NEW-UP. Liszt: Organ Works Vol 2 - Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_CqKk2gPm3lo/Sx1NjJHQVoI/AAAAAAAAAto/iesamGfYwfE/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-7442990170531284889</id><published>2012-02-09T11:45:00.000+01:00</published><updated>2012-02-09T11:44:02.848+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Johann Adam Reincken'/><category scheme='http://www.blogger.com/atom/ns#' term='Agnes Luchterhandt'/><category scheme='http://www.blogger.com/atom/ns#' term='Georg Böhm'/><category scheme='http://www.blogger.com/atom/ns#' term='J.S. Bach'/><category scheme='http://www.blogger.com/atom/ns#' term='Dietrich Buxtehude'/><category scheme='http://www.blogger.com/atom/ns#' term='Thiemo Janssen'/><title type='text'>NEW_UP. Arp Schnitger Organ Norden: Agnes Luchterhandt - Thiemo Janssen. Vol. 2. SACD-ISO + CD</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_CqKk2gPm3lo/SxEgKPNo0wI/AAAAAAAAArQ/Z7neYVb_fe0/s1600/front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_CqKk2gPm3lo/SxEgKPNo0wI/AAAAAAAAArQ/Z7neYVb_fe0/s200/front.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Artist:&lt;/b&gt; &lt;a href="http://norden-ludgeri.de/Musik/musik.html"&gt;Agnes Luchterhandt - Thiemo Janssen&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Arp_Schnitger"&gt;Arp Schnitger Organ&lt;/a&gt;. St. Ludgeri’s Church in Norden) &lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Album:&lt;/span&gt; &lt;a href="http://www.amazon.de/Arp-Schnitger-Orgel-Norden-Vol-2-Agnes-Luchterhandt/dp/B001CJYJZK/ref=sr_1_2?ie=UTF8&amp;amp;s=music&amp;amp;qid=1259413920&amp;amp;sr=1-2"&gt;&lt;span style="text-decoration: underline;"&gt;Arp Schnitger Organ Norden. Vol. 2&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt; 2008 &lt;span style="font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Label:&lt;/span&gt; MDG&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Catalog N°:&lt;/span&gt; 906 1502-6&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Genre:&lt;/span&gt; Classical&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;File Format:&lt;/span&gt;&amp;nbsp;&lt;b style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 2+2+2 | 4.16GB&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold; text-align: center;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 314MB&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.burosch.de/shop/shop_content.php?coID=66"&gt;2+2+2 Recording&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;On this CD:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;01.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Toccata in d Dorisch BWV 538.1&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 05:36&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;02.&amp;nbsp;&amp;nbsp;&amp;nbsp; Dietrich Buxtehude / Passacaglia in d BuxWV 161&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 06:23&lt;br /&gt;03.&amp;nbsp;&amp;nbsp;&amp;nbsp; Dietrich Buxtehude / Von Gott will ich nicht lassen BuxWV 220&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 02:35&lt;br /&gt;04.&amp;nbsp;&amp;nbsp;&amp;nbsp; Dietrich Buxtehude / Toccata in F BuxWV 156&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 08:02&lt;br /&gt;05.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Nun komm, der Heiden Heiland BWV 599&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 01:47&lt;br /&gt;06.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Lobt Gott ihr Christen BWV 732&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 01:36&lt;br /&gt;07.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / O Lamm Gottes unschuldig BWV 618&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 03:58&lt;br /&gt;08.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Erschienen ist der herrlich Tag BWV 629&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 01:02&lt;br /&gt;09.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / In dir ist Freude BWV 615&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 02:53&lt;br /&gt;10.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Wohl mir, dass ich Jesum habe - Jesus bleibet meine Freude aus BWV 147&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 06:02&lt;br /&gt;11.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Toccata (Praeludium) in C BWV 566&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 10:49&lt;br /&gt;12.&amp;nbsp;&amp;nbsp;&amp;nbsp; Georg Böhm / Aria - Jesu, du bist allzu schöne (14 Variationen)&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 07:06&lt;br /&gt;13.&amp;nbsp;&amp;nbsp;&amp;nbsp; Georg Böhm / Vater unser im Himmelreich&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 04:27&lt;br /&gt;14.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Adam Reincken / Fuga in g&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 04:19&lt;br /&gt;15.&amp;nbsp;&amp;nbsp;&amp;nbsp; Johann Sebastian Bach / Toccata und Fuge in d BWV 565&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 09:27&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-_8MOGHQHrYg/TzOhXh9VImI/AAAAAAAABls/THS6kzZ4o-0/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="284" src="http://1.bp.blogspot.com/-_8MOGHQHrYg/TzOhXh9VImI/AAAAAAAABls/THS6kzZ4o-0/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/arpschnitorgnord2.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;b&gt;password:&amp;nbsp;&lt;span style="color: #cc0000;"&gt;sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-7442990170531284889?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/7442990170531284889/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/11/arp-schnitger-organ-norden-agnes_28.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7442990170531284889'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7442990170531284889'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/11/arp-schnitger-organ-norden-agnes_28.html' title='NEW_UP. Arp Schnitger Organ Norden: Agnes Luchterhandt - Thiemo Janssen. Vol. 2. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_CqKk2gPm3lo/SxEgKPNo0wI/AAAAAAAAArQ/Z7neYVb_fe0/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-7651826552753624822</id><published>2012-02-09T11:40:00.000+01:00</published><updated>2012-02-09T11:42:35.543+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Boehm'/><category scheme='http://www.blogger.com/atom/ns#' term='B. Schlick'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Agnes Luchterhandt'/><category scheme='http://www.blogger.com/atom/ns#' term='Byrd'/><category scheme='http://www.blogger.com/atom/ns#' term='M. Weckmann'/><category scheme='http://www.blogger.com/atom/ns#' term='Scheidt'/><category scheme='http://www.blogger.com/atom/ns#' term='J.S. Bach'/><category scheme='http://www.blogger.com/atom/ns#' term='Dietrich Buxtehude'/><category scheme='http://www.blogger.com/atom/ns#' term='Francisco Correa De Arauxo'/><category scheme='http://www.blogger.com/atom/ns#' term='Thiemo Janssen'/><title type='text'>NEW_UP. Arp Schnitger Organ Norden:  Agnes Luchterhandt - Thiemo Janssen. Vol. 1. SACD-ISO + CD</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_CqKk2gPm3lo/SwrtpvjinHI/AAAAAAAAAoo/7PHpM746Fuw/s1600/front250.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_CqKk2gPm3lo/SwrtpvjinHI/AAAAAAAAAoo/7PHpM746Fuw/s320/front250.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Artist:&lt;/b&gt; &lt;a href="http://norden-ludgeri.de/Musik/musik.html"&gt;Agnes Luchterhandt - Thiemo Janssen&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Arp_Schnitger"&gt;Arp Schnitger Organ&lt;/a&gt;. St. Ludgeri’s Church in Norden) &lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Album:&lt;/span&gt; &lt;a href="http://www.amazon.de/Arp-Schnitger-Orgel-Norden-Vol-1-Agnes-Luchterhand/dp/B000E1JOF2"&gt;&lt;span style="text-decoration: underline;"&gt;Arp Schnitger Organ Norden. Vol. 1&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt; 2005&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Label:&lt;/span&gt; MDG&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Catalog N°:&lt;/span&gt; 906 1363-6&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Genre:&lt;/span&gt; Classical&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;File Format:&lt;/span&gt;&amp;nbsp;&lt;b style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 2+2+2 | 4.04GB&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold; text-align: center;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 318MB&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.burosch.de/shop/shop_content.php?coID=66"&gt;2+2+2 Recording&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div class="rNotes"&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.hdtracks.com/index.php?file=catalogdetail&amp;amp;valbum_code=HD760623136363"&gt;&lt;b&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;On this CD:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;01.&amp;nbsp;&amp;nbsp; &amp;nbsp;Weckmann, Matthias - Magnificat II. Toni&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;07:14&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;02.&amp;nbsp;&amp;nbsp; &amp;nbsp;Byrd, William - Passamezzo Pavana&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;07:04&lt;br /&gt;03.&amp;nbsp;&amp;nbsp; &amp;nbsp;Buxtehude, Dietrich - BuxWV 166 - Canzona C-Dur&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;05:15&lt;br /&gt;04.&amp;nbsp;&amp;nbsp; &amp;nbsp;Bach, Johann Sebastian - BWV 653b - An Wasserflьssen Babylons&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;05:09&lt;br /&gt;05.&amp;nbsp;&amp;nbsp; &amp;nbsp;Bach, Johann Sebastian - BWV 540 - Toccata in F-Dur&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;09:08&lt;br /&gt;06.&amp;nbsp;&amp;nbsp; &amp;nbsp;Schlick, Arnolt - Ascendo ad patrem meum&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;02:20&lt;br /&gt;07.&amp;nbsp;&amp;nbsp; &amp;nbsp;Correa de Arauxo, Francisco - Tiento LIII de medio registro&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;05:29&lt;br /&gt;08.&amp;nbsp;&amp;nbsp; &amp;nbsp;Scheidt, Samuel - Echo ad manuale duplex forte &amp;amp; lene SSWV 128&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;08:17&lt;br /&gt;09.&amp;nbsp;&amp;nbsp; &amp;nbsp;Buxtehude, Dietrich - BuxWV 188 - Gelobet seist Du, Jesus Christ&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;08:36&lt;br /&gt;10.&amp;nbsp;&amp;nbsp; &amp;nbsp;Boehm, Georg - Ach wie nichtig, ach wie fluechtig&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;06:04&lt;br /&gt;11.&amp;nbsp;&amp;nbsp; &amp;nbsp;Buxtehude, Dietrich - BuxWV 155 - Toccata d-Moll&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;07:18&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_CqKk2gPm3lo/Swrt32MdJBI/AAAAAAAAAow/qgAZ5xOHr9c/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_CqKk2gPm3lo/Swrt32MdJBI/AAAAAAAAAow/qgAZ5xOHr9c/s320/back.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/arpschnitorgnord1.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;password: &lt;span style="color: #cc0000;"&gt;sacdps3&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-7651826552753624822?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/7651826552753624822/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/11/arp-schnitger-organ-norden-agnes.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7651826552753624822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7651826552753624822'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/11/arp-schnitger-organ-norden-agnes.html' title='NEW_UP. Arp Schnitger Organ Norden:  Agnes Luchterhandt - Thiemo Janssen. Vol. 1. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_CqKk2gPm3lo/SwrtpvjinHI/AAAAAAAAAoo/7PHpM746Fuw/s72-c/front250.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-2035582399995565022</id><published>2012-02-08T15:30:00.000+01:00</published><updated>2012-02-08T15:33:26.306+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='PentaTone'/><category scheme='http://www.blogger.com/atom/ns#' term='I Musici'/><category scheme='http://www.blogger.com/atom/ns#' term='Giuseppe Tartini (1692-1770)'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Salvatore Accardo'/><title type='text'>RE-UP. Giuseppe Tartini (1692-1770) - 3 Violin Concertos: Salvatore Accardo - I Musici. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-LkRyaJ5rKTo/TxMn7rng7HI/AAAAAAAABHE/Jpup2OR9dPQ/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="313" src="http://3.bp.blogspot.com/-LkRyaJ5rKTo/TxMn7rng7HI/AAAAAAAABHE/Jpup2OR9dPQ/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 2.76GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 333MB&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Classical | Label: PentaTone | Catalog Number: PT 5186 137&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | &amp;nbsp;FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://www.amazon.com/dp/B003IP2YAS/?tag=sacdinfocom-20" rel="nofollow" style="color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://sa-cd.net/showtitle/6541" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/w/index.php?title=Salvatore_Accardo" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Salvatore Accardo&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.imusicidiroma.com/homeng.html" target="_blank"&gt;&lt;span style="color: #cc0000;"&gt;I Musici&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Pentatone has another winner here! The 1973 analog 4-ch master has transferred beautifully in this DSD remastering. The sound is quite warm and spacious without blurring details. Accardo was in fine form during the sessions and exhibits beautiful and stylish playing throughout, as does I Musici. Tartini's music may not be as immediately "catchy" as Vivaldi's, but it's thoroughly enjoyable and exhibits a bit more musical depth in my opinion. If you are a fan of Baroque music, then this is a must-have!&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Violin Concerto in A, D. 96 [21:05]&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;Violin Concerto in B flat, D. 117 [19:30]&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;Violin Concerto in G, D. 78 [19:50]&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-G4tcO9NEXuE/TxMoOKcHU3I/AAAAAAAABHU/k7_gHcEHPNg/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-G4tcO9NEXuE/TxMoOKcHU3I/AAAAAAAABHU/k7_gHcEHPNg/s200/disc.jpg" width="195" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;There is no doubt that the age of this recording is very evident, despite its digital transfer to SACD format. But the beauty of the music and the buoyancy of the performances give it an irresistible charm that compensates for some of its drawbacks.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;It is good to see a new release of music by the Italian composer, virtuoso violinist, teacher and music theorist whose reputation now rests on the notoriety of his ‘Devil’s Trill’ sonata in G minor. In his day, Tartini was celebrated across Italy and beyond as a writer and performer of great versatility. His career stretched between the Baroque of Vivaldi and the early Classical tradition. Accordingly, his music is virtuosic without being flashy, and defined by clean, even spare, melodic lines.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;All of these qualities are present in the three concertos on this disc, which date from somewhere between 1735 and 1750. The opening A major concerto is a four-movement affair – explained by the fact that Tartini wrote two slow movements (an adagio and a largo andante) without indicating a preference for either. The largo (track 4) is the more beautiful of the two. Its simple, sweet melody is played with great warmth by soloist Salvatore Accardo. The B flat concerto is a more complex affair, with fugal sections and leaping motifs recalling Bach as much as Tartini’s early Italian contemporaries. The final concerto in G major is perhaps the least memorable, although it concludes with a lively and rhythmic presto (track 10).&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Accardo’s playing is faultless, and he is ably accompanied by the legendary I Musici – who, in a pioneering example of ‘authenticity’, dispense with a conductor. The downside of this disc is the 1973 recorded sound. Despite re-mastering, it still sounds hollow, with the dulled strings set back too far from the microphones. But Accardo’s playing is clear and sharp. The sleeve-notes are rather dodgily translated, but give as much information as the listener needs to appreciate the music.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;John-Pierre Joyce&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-6zzA_4wbli0/TxMoFtnvFHI/AAAAAAAABHM/6FmKfA8IZ0o/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="277" src="http://3.bp.blogspot.com/-6zzA_4wbli0/TxMoFtnvFHI/AAAAAAAABHM/6FmKfA8IZ0o/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/satart3viol.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 17px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-2035582399995565022?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/2035582399995565022/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/giuseppe-tartini-1692-1770-3-violin.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2035582399995565022'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2035582399995565022'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/giuseppe-tartini-1692-1770-3-violin.html' title='RE-UP. Giuseppe Tartini (1692-1770) - 3 Violin Concertos: Salvatore Accardo - I Musici. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-LkRyaJ5rKTo/TxMn7rng7HI/AAAAAAAABHE/Jpup2OR9dPQ/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-1069797806206832347</id><published>2012-02-08T04:59:00.000+01:00</published><updated>2012-02-08T04:59:14.283+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Salvatore Accardo'/><category scheme='http://www.blogger.com/atom/ns#' term='Orchestra da Camera Italiana'/><title type='text'>NEW-UP. Vesuvio 1727 - Salvatore Accardo, Orchestra da Camera Italiana. SACD-ISO + CD</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-pVvv81vYO1A/TzHvztaEaAI/AAAAAAAABlc/1xqi1Dr93yk/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="313" src="http://2.bp.blogspot.com/-pVvv81vYO1A/TzHvztaEaAI/AAAAAAAABlc/1xqi1Dr93yk/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0 | 1.27GB&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 400MB&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Classical | Label: &lt;a href="http://www.fone.it/index_en.php" target="_blank"&gt;Fone&lt;/a&gt; | Catalog Number: 040SACD&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;This recording features sublime, tear-inducing sonics of such harmonic and textural purity, each bow sweep will induce gargantuan goose bumps&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/w/index.php?title=Salvatore_Accardo" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Salvatore Accardo&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.fone.it/shop/shop.php?action=mostraScheda&amp;amp;cID=2&amp;amp;pID=66" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Fone Records&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.fone.it/signoricci_cd_en.php" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Signoricci CD&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.amazon.co.uk/dp/B0024QFMZ6/?tag=sacdinfocom08-21" rel="nofollow" style="color: brown;" target="_blank"&gt;amazon.co.uk&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://sa-cd.net/showtitle/4685" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;Salvatore Accardo is an outstanding Italian violin virtuoso, best known as a master of the works of Niccolo Paganini, but equally accomplished across a wide variety of repertory for the instrument. His playing is characterized by a taut, visceral tone and a disciplined musical approach that avoids self-indulgence. Having also established himself as a successful conductor, chamber musician and teacher, Accardo may be considered one of the most accomplished and influential musicians of his generation.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="display: inline !important;"&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Giuseppe Tartini - Concerto in La Maggiore D69&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:52&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Giuseppe Tartini - Concerto in La Maggiore D69&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:36&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Giuseppe Tartini - Concerto in La Maggiore D69&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:05&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Giuseppe Tartini - Concerto in La Maggiore D69&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:51&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Pietro Locatelli - Concerto In Re Maggiore "Labirinto Armonico" Op. 3, N.12: Allegro-Capriccio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:58&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Giuseppe Tartini - Concerto In Re Maggiore "Labirinto Armonico" Op. 3, N.12: Largo-Presto-Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:44&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Giuseppe Tartini - Concerto In Re Maggiore "Labirinto Armonico" Op. 3, N.12: Allegro-Capriccio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;12:44&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Astor Piazzolla - Le Gran Tango&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;12:18&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Niccolo Paganini - La Companella&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:11&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Niccolo Paganini - Cantabile&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:03&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Astor Piazzolla - Oblivion&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:01&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-fIt_HcuPhrs/TzHv8IlIyqI/AAAAAAAABlk/nLVxkpFmBsg/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="277" src="http://2.bp.blogspot.com/-fIt_HcuPhrs/TzHv8IlIyqI/AAAAAAAABlk/nLVxkpFmBsg/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em; text-align: left;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/accardovesuvio1727.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: white; color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 12px; text-align: justify;"&gt;password: &lt;b&gt;bambasm&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-1069797806206832347?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/1069797806206832347/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/new-up-vesuvio-1727-salvatore-accardo.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/1069797806206832347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/1069797806206832347'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/new-up-vesuvio-1727-salvatore-accardo.html' title='NEW-UP. Vesuvio 1727 - Salvatore Accardo, Orchestra da Camera Italiana. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-pVvv81vYO1A/TzHvztaEaAI/AAAAAAAABlc/1xqi1Dr93yk/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-5770034821317275945</id><published>2012-02-07T08:25:00.000+01:00</published><updated>2012-02-07T08:28:16.634+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Trondheim Symfoniorkester'/><category scheme='http://www.blogger.com/atom/ns#' term='Goran Sjolin'/><category scheme='http://www.blogger.com/atom/ns#' term='Marianne Thorsen'/><category scheme='http://www.blogger.com/atom/ns#' term='Daniel Reuss'/><title type='text'>RE-UP. Stale Kleiberg - Treble &amp; Bass: Marianne Thorsen, Goran Sjolin, Daniel Reuss, Trondheim Symfoniorkester. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Nv1-XH87F6E/Tw8lT3yjjRI/AAAAAAAABEM/HupwhiZdSok/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="270" src="http://1.bp.blogspot.com/-Nv1-XH87F6E/Tw8lT3yjjRI/AAAAAAAABEM/HupwhiZdSok/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 2.75GB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;EAC-RIP | FLAC, IMG+CUE, LOG | 218MB&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.2l.no/"&gt;2L&lt;/a&gt;&amp;nbsp;| Catalog Number: 2L52SACD&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FSonic.com, FServe.com, FFactory.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="post-body entry-content" style="position: relative; width: 528px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4;"&gt;&lt;a href="http://www.amazon.com/dp/B002AT4654/?tag=sacdinfocom-20" style="color: #992211; text-decoration: none;"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 21px;"&gt;&lt;b&gt;&lt;a href="http://www.sa-cd.net/showtitle/5982"&gt;sa-cd.net&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span style="font-size: 15px; line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="background-color: #d4e3f5; color: #005387; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Performer&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;Marianne Thorsen, violin&lt;br /&gt;Göran Sjölin, double bass&lt;br /&gt;Trondheim Symfoniorkester&lt;br /&gt;Daniel Reuss, conductor&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Catalogue #&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;2L-059-SACD&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;EAN13&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;7041888514022&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;ISRC-code&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;NOMPP0902010-060&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" colspan="2" scope="row" valign="top"&gt;&lt;hr style="background-color: #7bafde; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #7bafde; height: 2px; width: 343px;" /&gt;&lt;/th&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Disc 1&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;&lt;strong&gt;Hybrid SACD&lt;/strong&gt;&lt;br /&gt;MCH 5.1 DSD&lt;br /&gt;Stereo DSD&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" colspan="2" scope="row" valign="top"&gt;&lt;hr style="background-color: #7bafde; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #7bafde; height: 2px; width: 343px;" /&gt;&lt;/th&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Release date&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;May 2009&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Recording date&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;May 2008 and May 2007&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Location&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;Olavshallen, Trondheim, Norway&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;th align="left" scope="row" valign="top"&gt;&lt;div align="left"&gt;Original source&lt;/div&gt;&lt;/th&gt;&lt;td align="left" valign="top"&gt;PCM 96kHz/24bit&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" style="background-color: #d4e3f5; color: #005387; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td&gt;&lt;div align="left"&gt;Marianne Thorsen is widely known for her recording of MOZART violin concertos with TrondheimSolistene. Now she demonstrates what beauty that lies in the Violin Concerto of our classical contemporary composer Ståle Kleiberg. Göran Sjölin brings the sonic qualities of the double bass into new light, and both solo concertos are supported by a widely staged Trondheim Symphony Orchestra in an exceptional surround sound recording.&lt;/div&gt;Ståle KLEIBERG:&lt;br /&gt;- Concerto for Violin and Orchestra&lt;br /&gt;- Concerto for Double Bass and Orchestra&lt;br /&gt;&lt;div align="left"&gt;If we seek a stylistic reference point for Kleiberg's music, it is perhaps not fanciful to refer to its recovery of certain qualities that we associate with northern Europe during the first half of the twentieth century. Composers as different as Sibelius, Nielsen and Vaughan Williams all established unique dialogues with central European and French modernists, but in ways that allowed for a tone of lofty idealism, even at times of frank romanticism that was unavailable to the modernists themselves. Kleiberg seems to continue and to extend dialogues of this kind. He has never been a slave to fashion, but it is striking that the neo-romanticism that is his most natural mode of expression, has once again become a part of our general culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table border="0" cellpadding="0" style="background-color: #d4e3f5; color: #005387; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td align="left"&gt;&lt;div align="left"&gt;&lt;a href="http://www.mamut.net/lindberglyd/shop/" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="Order" border="0" height="38" src="http://www.2l.no/images/Order_SACD.jpg" width="124" /&gt;&lt;/a&gt;&lt;a href="http://www.klicktrack.com/2l/releases/thorsen-trondheimsymphony/" style="color: #005387; text-decoration: none;" target="_blank"&gt;&amp;nbsp;&lt;img alt="FLAC" border="0" height="38" src="http://www.2l.no/images/Order_FLAC.jpg" width="111" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://itunes.apple.com/album/treble-bass/id313813546?uo=4" style="color: #005387; text-decoration: none;" target="itunes_store"&gt;&lt;img alt="iTunes" border="0" height="30" hspace="0" itunes="iTunes" src="http://ax.phobos.apple.com.edgesuite.net/images/web/linkmaker/badge_itunes-lrg.gif" vspace="3" width="82" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;strong&gt;FLAC&lt;/strong&gt;&amp;nbsp;HD audio files also from&amp;nbsp;&lt;a href="http://www.2l.musiconline.no/shop/displayMerchandise.asp?id=459&amp;amp;aid=31752" style="color: #005387; text-decoration: none;" target="_blank"&gt;www.2L.MusicOnline.no&lt;/a&gt;&lt;/div&gt;&lt;hr style="background-color: #7bafde; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #7bafde; height: 2px; width: 414px;" /&gt;&lt;span class="style1" style="color: #7bafde; font-size: medium;"&gt;NEWSLETTER:&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.2l.no/epost/news2009may.html" style="color: #005387; text-decoration: none;" target="_blank"&gt;Release sheet, May 2009&lt;/a&gt;&lt;br /&gt;&lt;hr style="background-color: #7bafde; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #7bafde; height: 2px; width: 414px;" /&gt;&lt;span class="style1" style="color: #7bafde; font-size: medium;"&gt;AWARDS:&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.2l.no/epost/news52GRAMMY2009.html" style="color: #005387; text-decoration: none;" target="_blank"&gt;Nominated for 52nd GRAMMY Awards&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0" style="background-color: #d4e3f5; color: #005387; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td height="32"&gt;&lt;span class="style1" style="color: #7bafde; font-size: medium;"&gt;ARTWORK&amp;nbsp;&lt;/span&gt;&lt;span class="style2" style="font-size: xx-small;"&gt;These images can be used in editorial context to the products they are related to, with appropriate credit of artwork and photographer.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr valign="top"&gt;&lt;td height="104"&gt;&lt;a href="http://www.2l.no/e-book/2L059.pdf" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="e-book" border="0" height="80" src="http://www.2l.no/images/pdf_e-book.jpg" width="137" /&gt;&lt;/a&gt;&lt;span style="border-bottom-style: solid; border-bottom-width: 0px; border-left-style: solid; border-left-width: 0px; border-right-style: solid; border-right-width: 0px; border-top-style: solid; border-top-width: 0px;"&gt;&amp;nbsp;&lt;a href="http://www.2l.no/cover/2L59SACD_cover.jpg" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="Treble &amp;amp; Bass cover" border="0" height="80" hspace="20" src="http://www.2l.no/cover/2L59SACD_cover80.jpg" width="80" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://www.2l.no/media/2L59SACD_Marianne_Thorsen.jpg" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="Marianne Thorsen  (Photo Credit: Arnulf Johansen)" border="0" height="80" src="http://www.2l.no/media/2L59SACD_Marianne_Thorsen1.jpg" width="60" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://www.2l.no/media/2L59SACD_Goran_Sjolin.jpg" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="Göran Sjölin  (Photo Credit: Adresseavisen)" border="0" height="80" hspace="20" src="http://www.2l.no/media/2L59SACD_Goran_Sjolin1.jpg" width="99" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://www.2l.no/media/2L59SACD_Daniel_Reuss.jpg" style="color: #005387;" target="_blank"&gt;&lt;img alt="Daniel Reuss  (Photo Credit: Marco Borggreve)" border="0" height="80" src="http://www.2l.no/media/2L59SACD_Daniel_Reuss1.jpg" width="74" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://www.2l.no/media/2L59SACD_Stale_Kleiberg.jpg" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="Ståle Kleiberg  (Photo Credit: Vegard Eggen)" border="0" height="80" hspace="20" src="http://www.2l.no/media/2L59SACD_Stale_Kleiberg1.jpg" width="104" /&gt;&lt;/a&gt;&lt;a href="http://www.2l.no/media/2L59SACD_stage-layout.pdf" style="color: #005387; text-decoration: none;" target="_blank"&gt;&lt;img alt="Treble &amp;amp; Bass STAGE LAYOUT" border="0" height="80" src="http://www.2l.no/media/2L59SACD_STAGE_LAYOUT80.jpg" width="106" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr valign="top"&gt;&lt;td&gt;&lt;strong&gt;Artwork&lt;/strong&gt;&amp;nbsp;Morten Lindberg&amp;nbsp;/&amp;nbsp;&lt;strong&gt;Front Cover Photo&lt;/strong&gt;&amp;nbsp;Jens O. Hegvik&amp;nbsp;/&amp;nbsp;&lt;strong&gt;Session photos&lt;/strong&gt;&amp;nbsp;Adresseavisen&amp;nbsp;/&amp;nbsp;&lt;strong&gt;Artist photo&lt;/strong&gt;&amp;nbsp;Vegard Eggen (Kleiberg) / Marco Borggreve (Reuss) / Arnulf Johansen (Thorsen)&amp;nbsp;/&amp;nbsp;&lt;strong&gt;Stage Layout&amp;nbsp;&lt;/strong&gt;Morten Lindberg&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-bUyIVSFZLFU/Tw8leJawZ9I/AAAAAAAABEU/QLYmrd_H9kA/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="288" src="http://1.bp.blogspot.com/-bUyIVSFZLFU/Tw8leJawZ9I/AAAAAAAABEU/QLYmrd_H9kA/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;download links&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/treblebass.html" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-5770034821317275945?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/5770034821317275945/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/stale-kleiberg-treble-bass-marianne.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/5770034821317275945'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/5770034821317275945'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/stale-kleiberg-treble-bass-marianne.html' title='RE-UP. Stale Kleiberg - Treble &amp; Bass: Marianne Thorsen, Goran Sjolin, Daniel Reuss, Trondheim Symfoniorkester. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Nv1-XH87F6E/Tw8lT3yjjRI/AAAAAAAABEM/HupwhiZdSok/s72-c/front.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-4451410194172274131</id><published>2012-02-07T06:00:00.000+01:00</published><updated>2012-02-07T06:06:46.866+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Michael Schoenheit'/><category scheme='http://www.blogger.com/atom/ns#' term='Franz Liszt'/><title type='text'>NEW-UP. Liszt: Organ Works Vol 1 - Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg. SACD-ISO + CD</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_CqKk2gPm3lo/SxjW8h43wmI/AAAAAAAAAtA/noRAlZZERJY/s1600-h/front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_CqKk2gPm3lo/SxjW8h43wmI/AAAAAAAAAtA/noRAlZZERJY/s200/front.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Artist: &lt;/span&gt;&lt;a href="http://www.bach-cantatas.com/Bio/Schonheit-Michael.htm"&gt;Michael Schoenheit&lt;/a&gt; at &lt;a href="http://www.merseburger-orgeltage.de/ladegast-orgel/"&gt;Ladegast Orgel, Dom zu Merseburg&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Album:&lt;/span&gt; &lt;a href="http://www.amazon.com/Liszt-Organ-B-C-H-Hybrid/dp/B0009UBYB0/ref=sr_1_1?ie=UTF8&amp;amp;s=music&amp;amp;qid=1259920259&amp;amp;sr=1-1"&gt;&lt;span style="text-decoration: underline;"&gt;Liszt: Organ Works Vol 1&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt; 2005&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Label:&lt;/span&gt; MDG&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Catalog N°:&lt;/span&gt; 906 1334-6&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Genre:&lt;/span&gt; Classical&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;File Format:&lt;/span&gt;&amp;nbsp;&lt;b style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.92GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="font-size: small; text-align: center;"&gt;EAC-RIP | FLAC, IMG+CUE, LOG | 262MB&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://www.burosch.de/shop/shop_content.php?coID=66"&gt;2+2+2 Recording&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;On this CD:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;01.&amp;nbsp;&amp;nbsp;&amp;nbsp; Franz Liszt - Praeludium und Fuge ueber das Thema B-A-C-H&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 14:43&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;02.&amp;nbsp;&amp;nbsp;&amp;nbsp; Franz Liszt - Weinen, Klagen, Sorgen, Zagen - Praeludium nach J.S. Bach&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 08:03&lt;br /&gt;03.&amp;nbsp;&amp;nbsp;&amp;nbsp; Franz Liszt - Variationen ueber "Weinen, Klagen, Sorgen, Zagen"&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 19:17&lt;br /&gt;04.&amp;nbsp;&amp;nbsp;&amp;nbsp; Franz Liszt - Bach Bearbeitung "Aus tiefer Not schrei ich zu dir"&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 05:32&lt;br /&gt;05.&amp;nbsp;&amp;nbsp;&amp;nbsp; Franz Liszt - Bach Bearbeitung Adagio&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 04:04&lt;br /&gt;06.&amp;nbsp;&amp;nbsp;&amp;nbsp; Franz Liszt - Bach Bearbeitung "Ich hatte viel Bekuemmernis"&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 06:12&lt;br /&gt;07.&amp;nbsp;&amp;nbsp;&amp;nbsp; J.S. Bach - Passacaglia BWV 582 C minor&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 14:42&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-PnRWI9EqTic/TzCvQFh1hPI/AAAAAAAABlU/7kC7l-Um_Os/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="290" src="http://3.bp.blogspot.com/-PnRWI9EqTic/TzCvQFh1hPI/AAAAAAAABlU/7kC7l-Um_Os/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2009/12/lisztschoen1.html"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;Download links&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;password: &lt;span style="color: #cc0000;"&gt;sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;a href="http://tinypaste.com/e8101"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-4451410194172274131?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/4451410194172274131/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/12/liszt-organ-works-vol-1-michael.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4451410194172274131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4451410194172274131'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2009/12/liszt-organ-works-vol-1-michael.html' title='NEW-UP. Liszt: Organ Works Vol 1 - Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_CqKk2gPm3lo/SxjW8h43wmI/AAAAAAAAAtA/noRAlZZERJY/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-5936875823169608790</id><published>2012-02-07T05:32:00.001+01:00</published><updated>2012-02-07T05:45:33.372+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Daniel Chorzempa'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Wolfgang A. Mozart'/><category scheme='http://www.blogger.com/atom/ns#' term='Helmut Winschermann'/><category scheme='http://www.blogger.com/atom/ns#' term='Deutsche Bachsolisten'/><title type='text'>New-UP. Mozart - Complete Church Sonatas: Daniel Chorzempa, Deutsche Bachsolisten, Helmut Winschermann. 2xSACD-ISO + 2xCD</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-RMF6HeLnxuU/TzCme71dZPI/AAAAAAAABlE/M2WCsLqdlqQ/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://2.bp.blogspot.com/-RMF6HeLnxuU/TzCme71dZPI/AAAAAAAABlE/M2WCsLqdlqQ/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 5.0 | 4.07GB&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 488MB&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Classical | Label: PentaTone | Catalog Number: PT 5186 150&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://www.amazon.com/dp/B003E113VC/?tag=sacdinfocom-20" rel="nofollow" style="color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://sa-cd.net/showtitle/6840" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;As good a disc of these works as one could wish to hear.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Musically, this is very much meagre rations as far as Mozart goes but even then, there are many felicities that caress the ears and provide much pleasure to the listener. Often erroneously called "organ" sonatas, these utilise the organ as a continuo player in all except the last sonata. The orchestra is also limited (presumably by space in the organ loft in Salzburg where all these compositions were created for use in his employers services), with only 2 violin sections and double basses for all except 12 (adds 2 trumpets), 14 (adds cellos, 2 oboes and timpani) and 16 (adds 2 horns). The organ only gets a staring role in 17 in which it is even permitted a cadenza. Such factors lead one to wonder why Chorzempa gets given such prominence in the booklet when the Deutsche Bachsolisten under Helmut Winschermann do by far the lions share of the music making.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Even by todays HIP standards, this is well played and sensitively handled by all participants. Throughout, the articulation of the strings is a delight and they do not swamp all their notes with a cloying vibrato and Chorzempa's organ (from Mozart's day and much admired by Bruckner amongst others) is suitably bright and cheerful in tone colour. Tempo choices are remarkably astute and few would wish any of the sonatas to be taken any more than a smidgen faster, if at all. Balance is also well done between organ and orchestra with each allowed just the right degree of a starring role as the music indicates. Chorzempa's accompaniment up to sonata 16 is exemplary and he really comes into his own for 17. The solo Andante in F (K. 616) was originally conceived for a rich Viennese "Count" who commissioned Mozart to write something for his mechanical organ; in this performance, there is no way that one could describe Chorzempa's playing as mechanical and it makes for a lovely "encore" at the end of the set.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Pentatone's remastering of the Philips tapes is astonishing as one would never realise that this set was originally recorded in 1972. Characteristically, the level is rather higher than most other classical SACDs.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Recommended.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;disc 1:&lt;/b&gt;&lt;br /&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small;"&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.1 in E flat, K. 67&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:24&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.2 in B flat, K.68&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:13&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.3 in D, K.69&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.4 in D, K.144&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:52&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.5 in F, K.145&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.6 in B flat, K.212&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:42&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.7 in F, K.224&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:29&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.8 in A, K.225&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.9 in G, K.241&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.10 in F, K.244&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;disc 2:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.11 in D, K.245&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:40&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.12 in C, K.263&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:22&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.13 in G, K.274&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.14 in C, K.278&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:02&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.15 in B flat, K.328&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:07&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.16 in C, K.329&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:35&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata No.17 in C, K.336&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Andante in F, K.616&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-SRzvYa4KZcE/TzCmlGmwG0I/AAAAAAAABlM/fCcwqQY9ctE/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="276" src="http://1.bp.blogspot.com/-SRzvYa4KZcE/TzCmlGmwG0I/AAAAAAAABlM/fCcwqQY9ctE/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; 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margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 17px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-5936875823169608790?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/5936875823169608790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/new-up-mozart-complete-church-sonatas.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/5936875823169608790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/5936875823169608790'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/new-up-mozart-complete-church-sonatas.html' title='New-UP. Mozart - Complete Church Sonatas: Daniel Chorzempa, Deutsche Bachsolisten, Helmut Winschermann. 2xSACD-ISO + 2xCD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-RMF6HeLnxuU/TzCme71dZPI/AAAAAAAABlE/M2WCsLqdlqQ/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-1376118289826712407</id><published>2012-02-06T19:33:00.000+01:00</published><updated>2012-02-06T07:42:29.602+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Daniel Chorzempa'/><category scheme='http://www.blogger.com/atom/ns#' term='PentaTone'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Franz Liszt'/><category scheme='http://www.blogger.com/atom/ns#' term='J.S. Bach'/><title type='text'>RE-UP. Bach, Liszt - Organ Works: Daniel Chorzempa. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-PU-GohfT7E8/Tt0Pj4nf3-I/AAAAAAAAAgI/PzuBKJzodbg/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://3.bp.blogspot.com/-PU-GohfT7E8/Tt0Pj4nf3-I/AAAAAAAAAgI/PzuBKJzodbg/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 2.79GB&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 291MB&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Classical | Label: PentaTone | Catalog Number: PT 5186 127&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://www.amazon.com/dp/B0009KBMLM/?tag=sacdinfocom-20" rel="nofollow" style="color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://sa-cd.net/showtitle/3428" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Bach’s compositions on this SA-CD are all so-called “free” organ works, (in contrast to his chorale compositions). Franz Liszt wrote the version for organ of his variations on the chromatically descending lamento bass fro Bach’s Cantata BWV 12 in 1863. Liszt treats the theme by no means in a purely virtuoso manner, but rather in a subtle manner as the foundation for a Passacaglia, after which the movements becomes increasingly intensified and talks on greater rhythmic complexity.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp; These are all famous and popular organ works recorded on the organ of the Grote Kerk, Breda (the Netherlands) and the organ of concert hall De Doelen, Rotterdam (the Netherlands). Both recordings are made in stunning 4 channel (quad) surround sound in 1970. Organist is the renowned Daniel Chorzempa. This was a best selling LP and also sold very well when re-issued on CD in the early eighties.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small;"&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Toccata and Fugue in D-minor, BWV 565 - Toccata&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:44&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Toccata and Fugue in D-minor, BWV 565 - Fugue&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Passacaglia in C minor, BWV 582 - Passacaglia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:17&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Passacaglia in C minor, BWV 582 - Fugue&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:14&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Prelude and Fugue in D, BWV 532 - Prelude&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Prelude and Fugue in D, BWV 532 - Fugue&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:58&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Prelude and Fugue in A minor, BWV 543 - Prelude&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:47&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;J.S. Bach - Prelude and Fugue in A minor, BWV 543 - Fugue&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Franz Liszt - Variations on Bach's cantata - "Weinen, Klagen, Sorgen, Zagen"&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;16:44&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-anP6KYnxbv8/Tt0WnzF1hVI/AAAAAAAAAgY/-ry8-GU-M-0/s1600/disc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-anP6KYnxbv8/Tt0WnzF1hVI/AAAAAAAAAgY/-ry8-GU-M-0/s200/disc.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;Which recordings of organmusic are timeless? Very few organists have had the musicality and craftmanship that makes their recordings after more than 35 years still worth listening. Chorzempa is one of them, and this CD should be on every organist's shelve. Chorzempa plays at Breda (Grote Kerk, Bach) and Rotterdam (Doelen Concerthall, Liszt), both Flentrop instruments. The Doelen is not the instrument for Liszt, but Breda will do for Bach although its plenum is not convincing in dense chords.&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;It is at Breda where I keep being surprised by Chorzempa's art of phrasing, articulation and choosing a convincing tempo. Quite astonishing as I thougt down in 1970 buying the old fashioned record, and I still do now listening at the SACD (thanks to the Philips engineers!) reissue. Note his inventiveness at the end of the paascaglia in track four. No wonder that the original Es-Dur has been replaced by Liszt: the weird slow tempo of the beginning of the fugue makes one laugh nowadays. Now we can enjoy the perfectly right and sweeping rhythm of BWV 543's prelude without reserve.&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;In the same edition: Chorzempa plays Handel's organ concerto's (4 SACD's). Musically and technically at a still higher level. If possible.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-74tRzv52b7E/Tt0Wh0Qmg5I/AAAAAAAAAgQ/zeVVkb7hmmk/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="281" src="http://3.bp.blogspot.com/-74tRzv52b7E/Tt0Wh0Qmg5I/AAAAAAAAAgQ/zeVVkb7hmmk/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/chorzbaclis.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 17px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;pw: sacdps3&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 17px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-1376118289826712407?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/1376118289826712407/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2011/12/bach-liszt-organ-works-daniel-chorzempa.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/1376118289826712407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/1376118289826712407'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2011/12/bach-liszt-organ-works-daniel-chorzempa.html' title='RE-UP. Bach, Liszt - Organ Works: Daniel Chorzempa. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-PU-GohfT7E8/Tt0Pj4nf3-I/AAAAAAAAAgI/PzuBKJzodbg/s72-c/front.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-2330901913086484882</id><published>2012-02-06T07:30:00.000+01:00</published><updated>2012-02-06T07:30:32.943+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Benjamin Britten (1913-1976)'/><category scheme='http://www.blogger.com/atom/ns#' term='Michael Stern'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Reference Recordings'/><category scheme='http://www.blogger.com/atom/ns#' term='Kansas City SO'/><title type='text'>RE-UP. Michael Stern, Kansas City SO - Britten's Orchestra</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-MbR9JwqSo38/TvhJTzMB3kI/AAAAAAAAAw0/nMgMvf0Oe_A/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="314" src="http://4.bp.blogspot.com/-MbR9JwqSo38/TvhJTzMB3kI/AAAAAAAAAw0/nMgMvf0Oe_A/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.78GB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 228MB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.referencerecordings.com/RR_SACD.asp" target="_blank"&gt;Reference Recordings&lt;/a&gt;&amp;nbsp;| Catalog Number: RR-120SACD&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;RAR 3% Rec. | FileFactory.com&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;HYBRID SACD Releases from Reference Recordings&lt;/b&gt;&lt;br /&gt;&lt;b&gt;A 2010 Grammy Award Winner!&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The Young Person’s Guide to the Orchestra is a symphonic tour-de-force and audio spectacular, featuring all sections of the symphony, separately and together. Based on a famous theme by Henry Purcell, Britten writes in essence his “Concerto for Orchestra,” taking the ensemble apart, then reassembling it in a grand and jubilant finale. Dynamic range is extreme.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Britten was a dedicated pacifist, and the Sinfonia da requiem from 1940 is his musical plea for peace. It begins with stark and dramatic drumbeats that will be a test for even the finest sound systems, and builds to tremendous climaxes. This early work is regarded by many as the finest of all his orchestral scores.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Peter Grimes, Britten’s most popular opera, is heard most often in the orchestral Sea Interludes and Passacaglia, some of his most haunting and atmospheric orchestral music. 'Prof.' Johnson’s transparent sonics allow one to “hear into” all these scores as never before.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Perhaps the most striking aspect of this new recording is the exceptional performance by Michael Stern and the Kansas City Symphony. RR has made many fine orchestral recordings, and we feel that this is one of our very best.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;This new release was produced by four-time Grammy Award winner David Frost. Frost says he is honored to work with engineer Keith Johnson for the first time, and is full of enthusiasm for the sound quality of the masters.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/dp/B003HJWJJG/?tag=sacdinfocom-20"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;amazon.com&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/6516"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Benjamin Britten (1913-1976):&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;i style="font-size: small;"&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;The Young Person's Guide To The Orchestra&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;17:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sinfonia Da Requiem - 2. Lacrymosa&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:55&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sinfonia Da Requiem - 2. Dies Irae&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:02&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sinfonia Da Requiem - 3. Requiem Aeternam&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:19&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Peter Grimes - 4 Sea Interludes - 1. Dawn&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Peter Grimes - 4 Sea Interludes - 2. Sunday Morning&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Peter Grimes - 4 Sea Interludes - 3. Moonlight&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Peter Grimes - Passacaglia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:15&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Peter Grimes - 4 Sea Interludes - 4. Storm&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-WS9mPk5dOe8/TvhJ10HakRI/AAAAAAAAAxA/l81xaoI0Afg/s1600/disk.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="188" src="http://1.bp.blogspot.com/-WS9mPk5dOe8/TvhJ10HakRI/AAAAAAAAAxA/l81xaoI0Afg/s200/disk.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;b&gt;This "Prof. Johnson" Surround sound recording exceeded all my expectations! I never thought Prof. Johnson would buck the classical music recording industry standard of having the orchestra in front and only using the rear channels for ambient information. To my great and pleasant surprise, the orchestra surrounds the listener with the strings reaching around to the left side, the trumpets coming from the right rear and the snare drum from the left rear, etc. Also the center channel is well utilized, revealing the inner voices of the orchestra. One almost gets the sense of being in the middle of the orchestra facing the conductor but with the orchestra still correctly positioned with first violins being on the far left, string basses on the far right. For you bass lovers, the bass was deep, full, round and plump!! It was a fantastically thrilling experience, and so incredibly life like and with such a warm acoustic with great reverberation of the hall so well captured. The recording was made in the Community of Christ Auditorium in Independence Missouri. Michael Stern and the Kansas City Orchestra have given us polished performances I found to be very well done with passion and verve. I feel with this recording, Michael Stern and the Kansas City Orchestra are now major player's in the classical music world. Superb!! Highly recommended. FYI - This is a 5.1 channel Surround recording (Bass is incredible even without the LFE channel. I listened both with and without the LFE channel on.)&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-hhre9PVLxsQ/TvhJ-88ot8I/AAAAAAAAAxM/k5sOjKiypHU/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="276" src="http://2.bp.blogspot.com/-hhre9PVLxsQ/TvhJ-88ot8I/AAAAAAAAAxM/k5sOjKiypHU/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/brittorch.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;password: &lt;span style="color: #cc0000;"&gt;sacdps3&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-2330901913086484882?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/2330901913086484882/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2011/12/michael-stern-kansas-city-so-brittens.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2330901913086484882'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2330901913086484882'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2011/12/michael-stern-kansas-city-so-brittens.html' title='RE-UP. Michael Stern, Kansas City SO - Britten&apos;s Orchestra'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-MbR9JwqSo38/TvhJTzMB3kI/AAAAAAAAAw0/nMgMvf0Oe_A/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-4748277059247049300</id><published>2012-02-06T07:00:00.000+01:00</published><updated>2012-02-06T07:31:05.937+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Georg Muffat'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Joseph Kelemen'/><title type='text'>RE-UP. Suddeutsche Orgelmeister, Vol. 2 - Georg Muffat (1653-1704) - Apparatus musico-organisticus 1680: Joseph Kelemen. 2SACD-ISO + 2CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-0imR2XOLFWY/TvYfEAZt5HI/AAAAAAAAAuM/r1IMV7dbm2M/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://4.bp.blogspot.com/-0imR2XOLFWY/TvYfEAZt5HI/AAAAAAAAAuM/r1IMV7dbm2M/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 2ISO 5.75GB&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 2CD 506MB&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Classical | Label: OEHMS | Catalog Number: OC 604&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; font-weight: bold;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: 11px; line-height: 16px; text-align: center;"&gt;&lt;span style="font-family: Verdana, Arial, sans-serif;"&gt;&lt;b&gt;&lt;i&gt;Born in 1655, Johann Georg Muffat was highly influenced by French and Italian models and is one of Lower Bavaria’s most significant composers. In 1693, he was appointed cathedral kapellmeister in Passau. For this second in the series “Southern German Organ Masters”, Joseph Kelemen has selected the Apparatus musico-organisticus, one of Muffat’s major works. Joseph Kelemen’s previous recording of organ works of Southern German composer Johann Caspar Kerll was included in the quarterly German CD Reviewer’s Prize list.&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;a href="http://www.oehmsclassics.de/cd.php?formatid=204&amp;amp;sprache=eng"&gt;&lt;span style="color: #990000;"&gt;oehmsclassics&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://www.amazon.com/dp/B000BDGBZY/?tag=sacdinfocom-20" rel="nofollow" style="color: brown;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://sa-cd.net/showtitle/3330" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Disc 1&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; display: inline !important;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 1&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:07&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 2&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:04&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 3&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:55&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 4&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:18&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 5&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:04&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 6&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:28&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 7&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:58&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 8&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:39&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 9&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:56&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Disc 2&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 10&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:04&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 11&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:46&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Toccata 12 et ultima&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:32&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Ciacona&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:25&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Passacaglia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;13:56&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Nova Cyclopeias Harmonica&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;11:57&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-LhcWAWDGUTE/TvYgV2QyE-I/AAAAAAAAAuY/6XAHgNP10Tg/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; 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Suddeutsche Orgelmeister, Vol. 2 - Georg Muffat (1653-1704) - Apparatus musico-organisticus 1680: Joseph Kelemen. 2SACD-ISO + 2CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-0imR2XOLFWY/TvYfEAZt5HI/AAAAAAAAAuM/r1IMV7dbm2M/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-7172714304307419811</id><published>2012-02-05T09:14:00.000+01:00</published><updated>2012-02-05T19:14:51.437+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Joseph Kelemen'/><category scheme='http://www.blogger.com/atom/ns#' term='Buxheimer Orgelbuch'/><title type='text'>RE-UP. Suddeutsche Orgelmeister, Vol. 4 - Buxheimer Orgelbuch: Joseph Kelemen. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-R7UfQAl-eao/TvrPBKEnxSI/AAAAAAAAA1I/O-HTBjGGVQk/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://2.bp.blogspot.com/-R7UfQAl-eao/TvrPBKEnxSI/AAAAAAAAA1I/O-HTBjGGVQk/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | ISO 3.47GB&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 308MB&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;i&gt;Classical | Label: OEHMS | Catalog Number: OC 645&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; font-weight: bold;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Arial, sans-serif;"&gt;&lt;span style="font-size: 11px; line-height: 16px;"&gt;&lt;b&gt;&lt;i&gt;With over 250 pieces, the Buxheimer Orgelbuch is the most extensive collection of keyboard music before 1600. Created ca. 1460 (1470 at the latest), the manuscript was preserved until 1883 in the Carthusian monastery in Buxheim an der Iller (Swabia, South Germany). After an auction, the manuscript came to the State Library in Munich.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Arial, sans-serif;"&gt;&lt;span style="font-size: 11px; line-height: 16px;"&gt;&lt;b&gt;&lt;i&gt;Joseph Kelemen, expert for historic organs and especially for German organ music before 1700, has chosen two instruments for this recording.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Arial, sans-serif;"&gt;&lt;span style="font-size: 11px; line-height: 16px;"&gt;&lt;b&gt;&lt;i&gt;Parts of the organ constructed by an anonymous organ-builder in the Church of St. Andreas in Soest- Ostönnen predate1425, making it one of the oldest playable organs in the world. Johann Patroclus Möller was entrusted with extending it in 1721–22.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="text-align: center;"&gt;&lt;span style="font-size: 11px; line-height: 16px; text-align: left;"&gt;&lt;span style="font-family: Verdana, Arial, sans-serif;"&gt;&lt;b&gt;&lt;i&gt;The organ in the Innsbruck Hofkirche was built in 1558 by Ravensburg organ-builder Jörg Ebert. It is a Renaissance instrument with a rückpositiv based on 4‘ pipes that still has features dating from the Gothic. It is found in the swallow‘s nest on the side wall of the choir&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;"&gt;&lt;b&gt;&lt;i&gt;.&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;a href="http://www.oehmsclassics.de/cd.php?formatid=464"&gt;&lt;span style="color: #990000;"&gt;oehmsclassics&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="center"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; 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margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-nlX5rKb3hRo/TvrPKNfOcNI/AAAAAAAAA1U/5AM87SzVapM/s200/disc.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Glockenläuten&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;00:43&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; 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&lt;/span&gt;Ein fröuwlin edel von natueren&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:09&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Veni virgo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:53&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Salve Radix Josophanie&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:18&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Se la phase pale&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:06&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Redeuntes in d&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:01&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;21.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Descendi in ortum meum&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:32&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;22.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Rorate celi desuper et nubes pl(uant iustum)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:45&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;23.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jeloy mors&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:17&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;24.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Redeuntes in La&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:08&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;25.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Anna vasanna&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:34&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;26.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Kyrieleyson de S(ancta) Maria V(irginie) - Christeleyson - Kyrieleyson&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:22&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;27.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Ave Regina&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:56&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-0D6J1aRElzk/TvrPVUrxarI/AAAAAAAAA1g/N5doCW0dRz4/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="277" src="http://2.bp.blogspot.com/-0D6J1aRElzk/TvrPVUrxarI/AAAAAAAAA1g/N5doCW0dRz4/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; 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Suddeutsche Orgelmeister, Vol. 4 - Buxheimer Orgelbuch: Joseph Kelemen. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-R7UfQAl-eao/TvrPBKEnxSI/AAAAAAAAA1I/O-HTBjGGVQk/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3886217112099489988</id><published>2012-02-05T07:05:00.000+01:00</published><updated>2012-02-05T18:52:56.729+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO'/><category scheme='http://www.blogger.com/atom/ns#' term='Georg Philipp Telemann'/><category scheme='http://www.blogger.com/atom/ns#' term='Pratum Integrum Orchestra'/><title type='text'>RE-UP. Telemann in Minor - Pratum Integrum Orchestra. SACD-ISO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-jj9K27X0ZUw/Tv_0JKCNtfI/AAAAAAAAA44/7Tuypw1gKAc/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="312" src="http://1.bp.blogspot.com/-jj9K27X0ZUw/Tv_0JKCNtfI/AAAAAAAAA44/7Tuypw1gKAc/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 2.99GB&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label: CARO MITIS | Catalog Number: CM 0042004&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;b&gt;Sonically, this is a superb production in both stereo and multi-channel modes and this is all the more impressive for being a small label production...Both performing and recording standards are at the highest level, as in all the Caro Mitis releases&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;a href="thttp://www.amazon.com/Telemann-Minor-Pratum-Integrum-Orchestra/dp/B0007A0E86/ref=sr_1_1?s=music&amp;amp;ie=UTF8&amp;amp;qid=1313480219&amp;amp;sr=1-1" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; font-style: normal; text-align: -webkit-auto;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.caromitis.com/eng/catalogue/cm0042004.html" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; font-style: normal; text-align: -webkit-auto;" target="_blank"&gt;caromitis.com&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;b&gt;Pratum Integrum is the only original-instrument orchestra in Russia and one of the few ensembles specializing in early music. The members are nearly all very young but also very skilled. The entire package is beautifully designed and carried out, with an informative note booklet decorated with lovely medieval-looking artwork along the sides...&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: small; text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;Tracklisting&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;01. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 1. Ouverture 07:13&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;02. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 2. Les Plaisirs 02:24&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;03. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 3. Loure 01:14&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;04. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 4. Furies 01:43&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;05. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 5. Rigaudon 1 - 3 02:59&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;06. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 6. Menuet 01:15&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;07. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 7. Les Matelots 00:58&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;08. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 8. Gigue angloise 01:59&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;09. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 9. Rondeau 01:56&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;10. Ouverture in A minor for 2 Oboes, Bassoon, Strings and Continuo TWV 55 a3) - 10. Hornpipe 01:25&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;11. Sonata in F minor for Strings and Continuo TWV 44-32) - 1. Adagio 01:02&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;12. Sonata in F minor for Strings and Continuo TWV 44-32) - 2. Allegro 01:48&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;13. Sonata in F minor for Strings and Continuo TWV 44-32) - 3. Largo 01:47&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;14. Sonata in F minor for Strings and Continuo TWV 44-32) - 4. Presto 02:00&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;15. Concerto in E minor for Flute, Violin, Strings and Continuo TWV 52-e3) - 1. Allegro 02:42&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;16. Concerto in E minor for Flute, Violin, Strings and Continuo TWV 52-e3) - 2. Adagio 01:50&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;17. Concerto in E minor for Flute, Violin, Strings and Continuo TWV 52-e3) - 3. Presto 01:16&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;18. Concerto in E minor for Flute, Violin, Strings and Continuo TWV 52-e3) - 4. Adagio 00:42&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;19. Concerto in E minor for Flute, Violin, Strings and Continuo TWV 52-e3) - 5. Allegro 02:33&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;20. Sonata in B major for Strings and Continuo TWV 44-34) - 1. Adagio 01:57&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;21. Sonata in B major for Strings and Continuo TWV 44-34) - 2. Allegro 02:17&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;22. Sonata in B major for Strings and Continuo TWV 44-34) - 3. Adagio 00:57&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;23. Sonata in B major for Strings and Continuo TWV 44-34) - 4. Allegro 02:12&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;24. Concerto in E minor for 2 Flutes, Strings, and Continuo TWV 53-e1 - 1. Larghetto 03:01&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;25. Concerto in E minor for 2 Flutes, Strings, and Continuo TWV 53-e1 - 2. Allegro 02:31&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;26. Concerto in E minor for 2 Flutes, Strings, and Continuo TWV 53-e1 - 3. Largo 02:44&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;27. Concerto in E minor for 2 Flutes, Strings, and Continuo TWV 53-e1 - 4. Presto 02:41&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: bold;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="display: inline !important;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Tracks 1-10 are world premiere recordings&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;Total time 57:20&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This is a novel idea; the Russian period orchestra Pratum Integrum has made, for the Caro Mitis label, a disc entitled Telemann in Minor containing only minor-key works of Georg Philipp Telemann. While it is novel, it's not necessarily a difficult program to assemble, just among his purely orchestral compositions Telemann has no less than seven works in the key of D minor alone. Here, Pratum Integrum offers a selection of two concerti in C and E minor, a pair of sonatas in C and B flat minor, and a never before recorded orchestral suite in A minor. The sonatas come from a grey area within Telemann's literature in which he composed expanded chamber pieces that could be adapted into orchestral pieces with no more than a subtle shift in instrumentation, and he intended them that way. These are very crisp and alert performances and not pieces intended for.&lt;/span&gt;.&lt;/i&gt; &lt;a href="http://www.allmusic.com/album/telemann-in-minor-w173999/review"&gt;read more&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; font-size: small; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-gNrQ_yKPsvw/Tv_1g6ftKJI/AAAAAAAAA5E/5ggCGNwaH3I/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="312" src="http://3.bp.blogspot.com/-gNrQ_yKPsvw/Tv_1g6ftKJI/AAAAAAAAA5E/5ggCGNwaH3I/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small; font-style: italic; text-align: left;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-style: italic; text-align: left;"&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-style: normal; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/telemannminor.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; font-style: normal; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; font-style: normal; text-align: -webkit-auto;"&gt;bambasm&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-3886217112099489988?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/3886217112099489988/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-telemann-in-minor-pratum.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3886217112099489988'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3886217112099489988'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-telemann-in-minor-pratum.html' title='RE-UP. Telemann in Minor - Pratum Integrum Orchestra. SACD-ISO'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-jj9K27X0ZUw/Tv_0JKCNtfI/AAAAAAAAA44/7Tuypw1gKAc/s72-c/front.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3604010156382576341</id><published>2012-02-04T12:00:00.000+01:00</published><updated>2012-02-04T12:00:04.419+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hansjorg Albrecht'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard Wagner'/><category scheme='http://www.blogger.com/atom/ns#' term='Organ Transcriptions'/><title type='text'>R. Wagner - Der Ring - An Organ Transcription - Hansjorg Albrecht. SACD-ISO + CD</title><content type='html'>&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_CqKk2gPm3lo/SjYxTBwcMxI/AAAAAAAAAIc/r-6Vc_9bF3I/s1600-h/front.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347515810507928338" src="http://1.bp.blogspot.com/_CqKk2gPm3lo/SjYxTBwcMxI/AAAAAAAAAIc/r-6Vc_9bF3I/s320/front.jpg" style="cursor: pointer; display: block; height: 307px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_CqKk2gPm3lo/SjYxKnhepcI/AAAAAAAAAIU/oXvCC7tsv08/s1600-h/ban1.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347515666026898882" src="http://1.bp.blogspot.com/_CqKk2gPm3lo/SjYxKnhepcI/AAAAAAAAAIU/oXvCC7tsv08/s320/ban1.jpg" style="cursor: pointer; display: block; height: 38px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="background-color: white; text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.42GB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 234MB&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.oehmsclassics.de/index.php" target="_blank"&gt;OEHMS&lt;/a&gt;&amp;nbsp;| Catalog Number: OC612&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileFactory.com&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B000H9HZNE/?tag=sacdinfocom-20"&gt;&lt;span style="color: #cc0000;"&gt;amazon.com&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: small; text-align: left;"&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://www.sa-cd.net/showtitle/4010"&gt;&lt;span style="color: #cc0000;"&gt;sa-cd.net&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;a href="http://www.oehmsclassics.de/cd.php?formatid=279"&gt;&lt;span style="color: #cc0000;"&gt;oehmsclassics.de&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;b style="text-align: left;"&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;On this recording, Hansjörg Albrecht, conductor, organist and cembalist, artistic director of the Munich Bach Choir since September 2005, presents his elaborate arrangements for two organs (St. Nikolai in Kiel), in connection with a skilful multi-channel recording concept. The result is a real CD hit for Wagner fans, and a challenge for your stereo or surround.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;u&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://www.bach-cantatas.com/Bio/Albrecht-Hansjorg.htm" target="_blank"&gt;Hansjorg Albrecht&lt;/a&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: #cc0000;"&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;If you like the sound of a pipe organ and like to bathe in its sonorities, this disc is for you. George Bernard Shaw used to say the only things worth hearing on a pipe organ were Bach and Wagner. There is no Bach here, but the Wagner Ring excerpts played here are done very well, with the exception of a slightly-too-fast Funeral March from Twilight of the Gods.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="background-color: white;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The recording is actually of TWO organs, one in front and one in back of a church with resonant acoustics, one by Kleuker, the other by Cavaille-Coll. Both instruments are interconnected electrically and also can be controlled by midi controllers which allow the two organists to overlay performances in order to cover, with four hands and four feet, what an orchestra plays in these dense scores.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The bass response on this disc will rattle and buzz every loose object close to your listening area. Right from the start, the 32-foot bass pedals are evident in the Rheingold opening and, over my matching tower speakers, which are flat to 10Hz, the bass response all around the room, with the .1 subwooofer, is nothing short of phenomenal.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;One caution, there is much slow music here. The colors of a pipe organ playing this music are somewhat muted, compared to a symphony orchestra, but this is an excellent recital, recorded beautifully. It is a pity that CBS/SONY abandoned SACD and has not given us other quadro organ discs from their SQ quadraphonic days, like the Bach Four Toccatas disc at Freiburg Cathedral. That is still one of the best of the SACD surround discs.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Great disc with unusual repertoire played and recorded very well.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: white; color: #cc0000; text-align: left; text-decoration: underline;"&gt;&lt;a href="http://www.orgelbau-babel.de/content/opera.html"&gt;Two Organs of the Kiel's St. Nikolai&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYs82xmwlI/AAAAAAAAAH0/7Un6eymNn3g/s1600-h/organs.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347511031556391506" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYs82xmwlI/AAAAAAAAAH0/7Un6eymNn3g/s320/organs.jpg" style="cursor: pointer; display: block; height: 203px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;span style="font-style: italic;"&gt;These are not the first Wagner transcriptions for pipe organ, but the disc has several exclusive points in its favor: The organ is the largest French symphonic organ in Germany, and can be played simultaneously with a choir organ in the same space. The St. Nikolai space has excellent acoustics, and this is the first recording of such music in 5.1 multichannel. It is also the first such recording in which overdubbing was used to get an even more full orchestral effect that would have been possible in one pass. A number of separate recordings of sections using various registrations and voicings were placed on top of one another in the computer in a technique similar to that often used in pop music production but not normally used in classical. The production's engineer compares the extreme density of the score thus achieved to equal five organists at five consoles playing ten pipe organs.&lt;/span&gt;..&amp;nbsp;&lt;a href="http://www.audaud.com/article.php?ArticleID=2775"&gt;Read more&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYwnBCpoiI/AAAAAAAAAIE/lhajL-jOKFI/s1600-h/caution.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347515054401626658" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYwnBCpoiI/AAAAAAAAAIE/lhajL-jOKFI/s320/caution.jpg" style="cursor: pointer; display: block; height: 110px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;1. Rheingold – Vorspiel 04:30&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;2. Walhallaszene 13:48&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;3. Walküre – Walkürenritt 06:05&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;4. Siegfried – Waldweben 12:32&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;5. Götterdämmerung – Trauermarsch 07:10&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;6. Brünnhildes Abschied 19:48&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-O8VItNO-BXU/TyyV6yIGiUI/AAAAAAAABk8/MCBkGDxhaRk/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="278" src="http://3.bp.blogspot.com/-O8VItNO-BXU/TyyV6yIGiUI/AAAAAAAABk8/MCBkGDxhaRk/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/derring.html"&gt;&lt;span style="color: #990000;"&gt;&lt;b&gt;download links&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small;"&gt;sacdps3&lt;/b&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-3604010156382576341?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/3604010156382576341/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/r-wagner-der-ring-organ-transcription.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3604010156382576341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3604010156382576341'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/02/r-wagner-der-ring-organ-transcription.html' title='R. Wagner - Der Ring - An Organ Transcription - Hansjorg Albrecht. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_CqKk2gPm3lo/SjYxTBwcMxI/AAAAAAAAAIc/r-6Vc_9bF3I/s72-c/front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-6435395345267452920</id><published>2012-02-04T03:00:00.000+01:00</published><updated>2012-02-05T18:53:17.838+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Rodney Prada'/><category scheme='http://www.blogger.com/atom/ns#' term='Maurizio Solerno'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='L&apos;Estravagante. Stefano Montanari'/><category scheme='http://www.blogger.com/atom/ns#' term='Dietrich Buxtehude'/><title type='text'>RE-UP. Dietrich Buxtehude - Sonatas Op.1,2: L'Estravagante. 2xSACD-ISO + 2xCD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-vYXx8l9qUBg/Tt-vs9Sgo9I/AAAAAAAAAhA/H-BbmDYnuKI/s1600/front+for+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="314" src="http://2.bp.blogspot.com/-vYXx8l9qUBg/Tt-vs9Sgo9I/AAAAAAAAAhA/H-BbmDYnuKI/s320/front+for+2.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div&gt;&lt;b&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.63GB, 3.98GB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 346MB, 371MB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Classical | Label:&amp;nbsp;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;a href="http://www.artsmusic.de/" target="_blank"&gt;ARTS&lt;/a&gt;&amp;nbsp;&lt;/span&gt;| Catalog Number: 47731-8,&amp;nbsp;&lt;/i&gt;&lt;i&gt;47732-8&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;...The recording on hand shows in a most fascinating way that the compositions, 300 years after the death of this imposing composer, still manage to impress its listeners. However, this is also because of the beautiful interpretation of the renowned ensemble L'Estravagante with its well known musicians Stefano Montanari, Rodney Prada and Maurizio Salerno.&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;a href="http://www.linnrecords.com/recording-buxtehude-sonatas-op-1.aspx" rel="nofollow" style="color: brown;" target="_blank"&gt;linnrecords.com&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;...I can’t compete with the informative and erudite notes here; this is a must-have baroque issue in hi-res surround&lt;/i&gt;&lt;/b&gt;.&amp;nbsp;&lt;a href="http://www.audaud.com/article.php?ArticleID=4434" rel="nofollow" style="color: brown;" target="_blank"&gt;audaud.com (Steven Ritter)&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;Sonatas Op.1:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata I in fa maggiore BuxWV 252 - Vivace - Lento&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:18&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata I in fa maggiore BuxWV 252 - Allegro - Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:52&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata I in fa maggiore BuxWV 252 - Andante - Grave&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:40&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata I in fa maggiore BuxWV 252 - Presto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:37&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata II in sol maggiore BuxWV 253 - Lento - Vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:02&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata II in sol maggiore BuxWV 253 - Adagio - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:41&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata II in sol maggiore BuxWV 253 - Arioso&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata III in la minore BuxWV 254 - Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:47&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata III in la minore BuxWV 254 - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata III in la minore BuxWV 254 - Lento - Vivace - Largo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:29&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata III in la minore BuxWV 254 - Presto - Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:13&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata IV in si bem. magg. BuxWV 255 - Vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata IV in si bem. magg. BuxWV 255 - Lento - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:16&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata V in do maggiore BuxWV 256 - Vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata V in do maggiore BuxWV 256 - [...]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:07&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata V in do maggiore BuxWV 256 - Largo - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:34&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata V in do maggiore BuxWV 256 - Adagio - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:42&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VI in re minore BuxWV 257 - Grave - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:13&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VI in re minore BuxWV 257 - Con discretione - Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VI in re minore BuxWV 257 - Vivace - Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:20&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;21.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VI in re minore BuxWV 257 - Poco Presto - Poco Adagio - Presto - Lento&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;22.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VII in mi minore BuxWV 258 - Allegro - Largo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;23.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VII in mi minore BuxWV 258 - Presto - Vivace - Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;24.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Sonata VII in mi minore BuxWV 258 - Poco presto - Lento - Prestissimo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:17&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.amazon.com/dp/B0010XSMMY/?tag=sacdinfocom-20"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;&lt;b&gt;amazon.com&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://www.sa-cd.net/showtitle/5041"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;sa-cd.net&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;table class="quote" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-left-color: rgb(165, 42, 42); border-left-style: solid; border-left-width: 0.2em; color: black; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 0.4em; margin-left: 2em; margin-top: 0.4em;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="quote_center" style="padding-bottom: 0.2em; padding-left: 0.8em; padding-right: 0.8em; padding-top: 0.2em;"&gt;&lt;b&gt;&lt;i&gt;...These pieces feature remarkable technical complexities, furious virtuosity, an unending reservoir of thoughtful melodic turns, and very warm, burnished scoring. A mixture of French and German styles permeate this music while showing us at the same time the extent of the composer’s rather somber Protestant roots.....&lt;/i&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;The fantastic music of Dieterich Buxtehude enthused many people all over the world. Johann Sebastian Bach, Georg Friedrich Handel and Johann Mattheson came to visit him in Lübeck and took classes to elaborate their organ play and their composing skills. Besides his vocal music and the music for keyboard only two publications of his trio-sonatas are preserved.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="text-align: left;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;With the release on hand ARTS presents the second part of Buxtehude's trio-sonatas, the Sonatas op. 2. They are recorded by the ensemble L'Estravagante who present a remarkable example of Buxtehude's most beautiful music. Their interpretation makes it easy to understand why contemporaries of Buxtehude found these works so fascinating.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;b style="text-align: left;"&gt;Sonatas Op.2:&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;01. Sonata I in la maggiore BuxWV 259 - Allegro 01:20&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;02. Sonata I in la maggiore BuxWV 259 - Adagio - Allegro 02:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;03. Sonata I in la maggiore BuxWV 259 - Grave - Vivace - Lento 03:19&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;04. Sonata I in la maggiore BuxWV 259 - Poco adagio Presto 01:58&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;05. Sonata II in re maggiore BuxWV 260 - Adagio - Allegro - Largo 03:22&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;06. Sonata II in re maggiore BuxWV 260 - Arietta 06:35&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;07. Sonata II in re maggiore BuxWV 260 - Largo - Vivace 02:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;08. Sonata III in sol minore BuxWV 261 - Vivace - Lento 02:52&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;09. Sonata III in sol minore BuxWV 261 - Allegro - Lento 01:35&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;10. Sonata III in sol minore BuxWV 261 - Andante - Grave 04:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;11. Sonata III in sol minore BuxWV 261 - Gigue 02:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;12. Sonata IV in do minore BuxWV 262 - Poco adagio 01:39&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;13. Sonata IV in do minore BuxWV 262 - Allegro 01:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;14. Sonata IV in do minore BuxWV 262 - Lento - [...] - Vivace 04:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;15. Sonata V in la maggiore BuxWV 263 - Allegro 00:58&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;16. Sonata V in la maggiore BuxWV 263 - Solo 01:19&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;17. Sonata V in la maggiore BuxWV 263 - Concitato 02:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;18. Sonata V in la maggiore BuxWV 263 - Adagio (solo) 01:18&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;19. Sonata V in la maggiore BuxWV 263 - Allegro - Adagio 01:22&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;20. Sonata V in la maggiore BuxWV 263 - [...] - Poco presto 02:09&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;21. Sonata VI in mi maggiore BuxWV 264 - Grave - Vivace 03:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;22. Sonata VI in mi maggiore BuxWV 264 - Adagio - Poco presto - Lento 04:01&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;23. Sonata VI in mi maggiore BuxWV 264 - Allegro 01:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;24. Sonata VII in fa maggiore BuxWV 265 - Adagio - [...] 03:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;25. Sonata VII in fa maggiore BuxWV 265 - Lento - Vivace 02:42&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;i&gt;26. Sonata VII in fa maggiore BuxWV 265 - Largo - Allegro 02:47&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.amazon.com/dp/B0012NOMVC/?tag=sacdinfocom-20"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;amazon.com&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;a href="http://www.sa-cd.net/showtitle/5120"&gt;&lt;span style="color: #cc0000;"&gt;sa-cd.net&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="color: #990000; font-weight: bold;"&gt;&lt;b style="color: black;"&gt;Composer - &lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/Dieterich_Buxtehude" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;Dietrich Buxtehude (1637-1707)&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Performer - &lt;i&gt;&lt;a href="http://www.mauriziosalerno.com/curricula_trio_en.htm" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;L'Estravagante. Stefano Montanari (violine), Rodney Prada (Viola da Gamba), Maurizio Solerno (clavecin)&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-g1nEuKjgyes/TstCLZxo_TI/AAAAAAAAAYI/RVJ-a9wGrqQ/s200/audfil.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-g1nEuKjgyes/TstCLZxo_TI/AAAAAAAAAYI/RVJ-a9wGrqQ/s200/audfil.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/db-s1-2.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;pw:&lt;/span&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="color: red;"&gt;sacdps3&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: red; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 17px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Sans-Serif; font-size: x-small; text-align: center; width: 240px;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-6435395345267452920?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/6435395345267452920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2011/12/dietrich-buxtehude-sonatas-op12.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/6435395345267452920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/6435395345267452920'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2011/12/dietrich-buxtehude-sonatas-op12.html' title='RE-UP. Dietrich Buxtehude - Sonatas Op.1,2: L&apos;Estravagante. 2xSACD-ISO + 2xCD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-vYXx8l9qUBg/Tt-vs9Sgo9I/AAAAAAAAAhA/H-BbmDYnuKI/s72-c/front+for+2.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-5316759980412248510</id><published>2012-01-31T08:31:00.001+01:00</published><updated>2012-01-31T08:32:54.203+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Charles Koechlin (1867-1960)'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Christian Schmitt'/><title type='text'>CPO. Charles Koechlin (1867-1960) - Organ Works: Christian Schmitt. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-vqVWbVAliis/Tyd-Vc4yeII/AAAAAAAABkc/aF07LbTnG6k/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="312" src="http://1.bp.blogspot.com/-vqVWbVAliis/Tyd-Vc4yeII/AAAAAAAABkc/aF07LbTnG6k/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.60GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 200MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.cpo.de/"&gt;CPO&lt;/a&gt;&amp;nbsp;| Catalog Number: 777 512-2&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | &amp;nbsp;FileFactory.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B005B6HV78/?tag=sacdinfocom-20" style="font-weight: bold;"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/7343"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;...An unusual and deeply expressive organ disc, which gave me much relaxation, satisfaction and pleasure. It has few competitors, and should be self-recommending.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Choral In F Minor, Op. 90bis&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;2 Vocalises, Op. 212B: No. 1. Allegretto Ben Moderato&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;2 Vocalises, Op. 212B: No. 2. Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Requiem Des Pauvres Bougres, Op. 161: Final Choral&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:52&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 3: I. Large Et Soutenu&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 3: II. Allegretto Scherzando&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;00:39&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 3: III. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;4 Chorals, Op. 98: No. 1. Moderato Allant Et Bien Lie&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:16&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;4 Chorals, Op. 98: No. 2. Un Peu Plus Calme&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;4 Chorals, Op. 98: No. 3. Tres Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;4 Chorals, Op. 98: No. 4. Offertoire&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:23&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Adagio, Op. 226&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Fugue, Op. 133, No. 2&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:40&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Adagio, Op. 201&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:47&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 2: I. Pastorale&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 2: II. Allegro Vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;00:58&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 2: III. Calme Et Doux&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 2: IV. Andante&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 2: V. Andante Quasi Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:01&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Adagio, Op. 211&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;21.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 1: I. Allegretto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:55&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;22.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 1: II. Allegretto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;23.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Organ Sonatine, Op. 107, No. 1: III. Pastorale: Allegro Moderato&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;24.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Fugue Modale, Op. 204bis&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KOGwr6n8Dzc/Tyd-b8C2FQI/AAAAAAAABkk/Qkboz5U_uwQ/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="251" src="http://1.bp.blogspot.com/-KOGwr6n8Dzc/Tyd-b8C2FQI/AAAAAAAABkk/Qkboz5U_uwQ/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/cpocharkoechow.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-5316759980412248510?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/5316759980412248510/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/cpo-charles-koechlin-1867-1960-organ.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/5316759980412248510'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/5316759980412248510'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/cpo-charles-koechlin-1867-1960-organ.html' title='CPO. Charles Koechlin (1867-1960) - Organ Works: Christian Schmitt. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-vqVWbVAliis/Tyd-Vc4yeII/AAAAAAAABkc/aF07LbTnG6k/s72-c/front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3609677019504097536</id><published>2012-01-31T08:31:00.000+01:00</published><updated>2012-01-31T08:32:12.571+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Charles Munch'/><category scheme='http://www.blogger.com/atom/ns#' term='RCA Living Stereo'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Boston Symphony Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Franz Schubert'/><title type='text'>RCA LIVING STEREO: Franz Schubert - Symphonies No. 8 and No. 9 - Charles Munch, Boston SO. SACD-ISO + CD</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-QU8Knnc4dj8/TyeXoB3il-I/AAAAAAAABks/9ytmLyQrACg/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-QU8Knnc4dj8/TyeXoB3il-I/AAAAAAAABks/9ytmLyQrACg/s1600/front.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to ISO | DSD 1bit-2822,4kHz 2.0, 3.0 | 2.78GB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 382MB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Classical | Label: Living Stereo&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&amp;nbsp;&lt;/span&gt;| Catalog Number:&amp;nbsp;82876-66374-2&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;RAR 3% Rec. | FileFactory.com&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="display: inline !important;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;...&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;b style="font-size: small;"&gt;&lt;i&gt;By comparison, the modern recordings - not one of BIS's best efforts, I feel - seems relatively flat, congealed and unfocussed. The inner lines and voices which are so clearly delineated musically and separated spatially in the minimalist 1950's analog recording just smear together in the 2009 all-digital effort...&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.amazon.com/dp/B000KP7LY8/?tag=sacdinfocom-20" style="font-size: medium; font-style: normal; font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #990000;"&gt;amazon.com&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/4329"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;i style="font-size: small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Symphonie Nr. 8 h-moll D759 'Unvollendete' - I Allegro moderato&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;12:18&lt;/i&gt;&lt;/div&gt;&lt;i style="font-size: small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Symphonie Nr. 8 h-moll D759 'Unvollendete' - II Andante con moto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;11:47&lt;/i&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Symphonie Nr. 9 C-dur D944 'Große' - I Andante - Allegro ma non troppo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;12:32&lt;/i&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Symphonie Nr. 9 C-dur D944 'Große' - II Andante con moto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;13:16&lt;/i&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Symphonie Nr. 9 C-dur D944 'Große' - III Scherzo: Allegro vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:58&lt;/i&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Symphonie Nr. 9 C-dur D944 'Große' - IV Finale: Allegro vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;10:54&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;This latest series of five Living Stereo SACD reissue is the first both of the Schubert Symphonies have been coupled on a single disc, as well as the first time we are able to hear the Ninth as originally recorded – on three channels instead of two. The sessions took place in Boston’s Symphony Hall in 1955 and 1958 and Munch probed the depths of both symphonies with the orchestra with which he had such a warm and close connection...&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i style="font-size: small;"&gt;&amp;nbsp;&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://audaud.com/2007/02/schubert-symphony-no-9-in-c-major-the-great-symphony-in-b-minor-unfinished-boston-symphony-orchestra-charles-munch-rca-red-seal-living-stereo/"&gt;audaud.com&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="display: inline !important;"&gt;&lt;div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-0w59sWG69bQ/TyeXxp-UxkI/AAAAAAAABk0/USUcQZ-avvU/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="273" src="http://2.bp.blogspot.com/-0w59sWG69bQ/TyeXxp-UxkI/AAAAAAAABk0/USUcQZ-avvU/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="spoiler" style="padding-left: 2em;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;b&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/lsschub9.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;b style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 17px;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #999999;"&gt;pw:&lt;/span&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="color: red;"&gt;sacdps3&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="width: 240px;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-3609677019504097536?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/3609677019504097536/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/rca-living-stereo-franz-schubert.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3609677019504097536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3609677019504097536'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/rca-living-stereo-franz-schubert.html' title='RCA LIVING STEREO: Franz Schubert - Symphonies No. 8 and No. 9 - Charles Munch, Boston SO. SACD-ISO + CD'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-QU8Knnc4dj8/TyeXoB3il-I/AAAAAAAABks/9ytmLyQrACg/s72-c/front.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-8952074565415691465</id><published>2012-01-24T06:23:00.000+01:00</published><updated>2012-02-05T18:54:01.475+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hansjorg Albrecht'/><category scheme='http://www.blogger.com/atom/ns#' term='Igor Stravinsky (1882-1971)'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Modest Mussorgsky (1839–1881)'/><category scheme='http://www.blogger.com/atom/ns#' term='Sergei Rachmaninov'/><title type='text'>RE-UP. Hansjorg Albrecht: Pictures from Russia - Three Organ Transcriptions. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_CqKk2gPm3lo/SjdGez4DaOI/AAAAAAAAAIk/Doq-nD10Ha0/s1600-h/front.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347820577661085922" src="http://4.bp.blogspot.com/_CqKk2gPm3lo/SjdGez4DaOI/AAAAAAAAAIk/Doq-nD10Ha0/s320/front.jpg" style="cursor: pointer; display: block; height: 307px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 4.27GB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 286MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.oehmsclassics.de/index.php" target="_blank"&gt;OEHMS&lt;/a&gt;&amp;nbsp;| Catalog Number: OC632&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;b style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B0021JLQTC/?tag=sacdinfocom-20"&gt;&lt;span style="color: #cc0000;"&gt;amazon.com&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;div style="font-weight: normal;"&gt;&lt;b&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/5490"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="font-weight: normal;"&gt;&lt;b&gt;&lt;span style="color: #cc0000; font-size: x-small;"&gt;&lt;a href="http://www.oehmsclassics.de/cd.php?formatid=363&amp;amp;sprache=eng"&gt;oehmsclassics.de&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;a href="http://www.bach-cantatas.com/Bio/Albrecht-Hansjorg.htm" target="_blank"&gt;&lt;u&gt;Hansjorg Albrecht&lt;/u&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;&lt;a href="http://www.orgelbau-babel.de/content/opera.html"&gt;Two Organs of the Kiel's St. Nikolai&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYs82xmwlI/AAAAAAAAAH0/7Un6eymNn3g/s1600-h/organs.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347511031556391506" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYs82xmwlI/AAAAAAAAAH0/7Un6eymNn3g/s320/organs.jpg" style="cursor: pointer; display: block; height: 203px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;b&gt;Hansjorg Albrecht is one of the most exciting organists of his generation. On this CD he follows up his superb triumph of the ‘Wagner Ring Transcriptions’, with these three powerful pieces for organ. Excellently played and recorded in SACD surround sound.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYwnBCpoiI/AAAAAAAAAIE/lhajL-jOKFI/s1600-h/caution.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5347515054401626658" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/SjYwnBCpoiI/AAAAAAAAAIE/lhajL-jOKFI/s320/caution.jpg" style="cursor: pointer; display: block; height: 110px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;MODEST MUSSORGSKY (1839–1881)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Bilder einer Ausstellung · Pictures of an Exhibition&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;(Organ transcription by Hansjörg Albrecht)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1 Promenade 01:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2 Gnomus (The Gnome) 02:55&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3 Promenade 01:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4 Il vecchio castello (The Old Castle) 04:29&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5 Promenade 00:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6 Tuileries – Dispute d’enfants après jeux (Tuileries – Dispute between Children at Play) 01:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;7 Bydlo (Cattle) 03:23&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8 Promenade 00:54&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;9 Ballett der Küken in ihren Eierschalen (Ballet of the Unhatched Chicks) 01:32&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10 Samuel Goldenberg und Schmuyle (Samuel Goldenberg and Schmuyle) 02:07&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11 Limoges. Le marché (The Market at Limoges) 01:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12 Catacombae – Cum mortis in lingua mortua (The Catacombs – With the Dead in a Dead Language) 04:41&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13 Die Hütte der Baba-Yaga (The Hut of Baba-Yaga) 03:41&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;14 Das große Tor von Kiew (The Great Gate of Kiev) 06:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-weight: bold;"&gt;SERGEI RACHMANINOV (1873–1843)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Die Toteninsel, Tondichtung op. 29&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;(Organ transcription by Axel Langmann)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;15 The Isle of the Dead, tone poem op. 29&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;21:33&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-weight: bold;"&gt;IGOR STRAVINSKY (1882–1871)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Drei Tänze aus „Petrouchka“&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;Three dances from the ballet “Petrushka” (Organ transcription by Hansjörg Albrecht)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;16 Danse russe (Russian Dance) 03:44&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;17 Chez Pétrouchka (Petrushka’s Cell) 05:28&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;18 La semaine grasse (The shrove-tide) 13:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-weight: bold;"&gt;total 80 : 02&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-qX23zrsrQ_E/TxzsAVPW4jI/AAAAAAAABKM/jn8xEs5fN6U/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="280" src="http://3.bp.blogspot.com/-qX23zrsrQ_E/TxzsAVPW4jI/AAAAAAAABKM/jn8xEs5fN6U/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/picturesofrussia.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-8952074565415691465?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/8952074565415691465/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/hansjorg-albrecht-pictures-from-russia.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/8952074565415691465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/8952074565415691465'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/hansjorg-albrecht-pictures-from-russia.html' title='RE-UP. Hansjorg Albrecht: Pictures from Russia - Three Organ Transcriptions. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_CqKk2gPm3lo/SjdGez4DaOI/AAAAAAAAAIk/Doq-nD10Ha0/s72-c/front.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-7373195164776962520</id><published>2012-01-23T18:02:00.000+01:00</published><updated>2012-02-05T18:55:05.360+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Anne-Sophie Mutter'/><category scheme='http://www.blogger.com/atom/ns#' term='New York Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Kurt Masur'/><category scheme='http://www.blogger.com/atom/ns#' term='Ludwig van Beethoven'/><title type='text'>RE-UP. Beethoven - Violin Concerto, Romances: Anne-Sophie Mutter, Kurt Masur, New York Philharmonic. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-SlD2k5KJdr8/Txw9OrPc8mI/AAAAAAAABKE/m5zs09RbLUo/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="318" src="http://4.bp.blogspot.com/-SlD2k5KJdr8/Txw9OrPc8mI/AAAAAAAABKE/m5zs09RbLUo/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 4.11GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 276MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;&lt;/i&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Deutsche Grammophon&lt;/i&gt;&lt;/span&gt;&lt;i style="font-size: small;"&gt;&amp;nbsp;| Catalog Number: 471633-2&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B00007KMOZ/?tag=sacdinfocom-20" style="font-weight: bold;"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/281"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Don't let the "PCM" source scare you. The booklet says the original recording was 96k/24-bit, and it sounds hi-rez all the way. The dynamics, especially in the pianissimo end of the scale, are amazing. The violin sounds warm and blends into the sonic landscape of the orchestra better than some other works I've heard on "all DSD" recordings.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;If you're not familiar with this particular Beethoven piece, it has a rather "modern" 5-note motif that is initially startling, sounding (to my untrained ear) out-of-place in a romantic work. But the as the composer returns to this phrase, he weaves it into the fabric of the concerto so masterfully that by the end of the first movement, it becomes beautiful and comforting. So much for my amateur music criticism.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;The two "Romances" are short pieces that are more traditional, and easier to like on first hearing.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;As for Mutter's playing, perhaps ignorance on my part is bliss. Her rubato doesn't bother me, although there are a couple of places that I do wish she had called less attention to herself and let the music sing. Overall, a very satisfying listening experience.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small; font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="display: inline !important;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Violin Concerto in D major, op.61 - 1. Allegro ma non troppo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;27:09&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Violin Concerto in D major, op.61 - 2. Larghetto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;10:58&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Violin Concerto in D major, op.61 - 3. Rondo. Allegro (cad. Kreisler)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;10:16&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Romance for Violin and Orchestra No.1 in G major, op.40&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:15&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Romance for Violin and Orchestra No.2 in F major, op.50&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:23&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-obiF8y82U9I/Txw9CPQw70I/AAAAAAAABJ8/gTDs191yx4w/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="281" src="http://4.bp.blogspot.com/-obiF8y82U9I/Txw9CPQw70I/AAAAAAAABJ8/gTDs191yx4w/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/beet-muttmasur.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-7373195164776962520?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/7373195164776962520/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/beethoven-violin-concerto-romances-anne.html#comment-form' title='21 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7373195164776962520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7373195164776962520'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/beethoven-violin-concerto-romances-anne.html' title='RE-UP. Beethoven - Violin Concerto, Romances: Anne-Sophie Mutter, Kurt Masur, New York Philharmonic. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-SlD2k5KJdr8/Txw9OrPc8mI/AAAAAAAABKE/m5zs09RbLUo/s72-c/front.jpg' height='72' width='72'/><thr:total>21</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-2357253960719695657</id><published>2012-01-22T12:31:00.000+01:00</published><updated>2012-02-05T18:54:44.394+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Gunther Rost'/><category scheme='http://www.blogger.com/atom/ns#' term='Jehan ALAIN'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Marcel Dupré'/><title type='text'>RE-UP. Marcel Dupré, Jehan Alain: Trilogies - Gunther Rost. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CIE2yHZRvl8/Txvu7lZyqfI/AAAAAAAABJs/xzwzrhr7OlE/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="316" src="http://1.bp.blogspot.com/-CIE2yHZRvl8/Txvu7lZyqfI/AAAAAAAABJs/xzwzrhr7OlE/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 2.73GB&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 174MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.oehmsclassics.de/index.php" target="_blank"&gt;OEHMS&lt;/a&gt; | Catalog Number: OC679&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B004ECJVZ0/?tag=sacdinfocom-20" style="font-weight: bold;"&gt;&lt;span style="color: #cc0000;"&gt;amazon.com&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/6968"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: #cc0000; font-size: x-small;"&gt;&lt;a href="http://www.oehmsclassics.de/cd.php?formatid=467&amp;amp;sprache=eng"&gt;oehmsclassics.de&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Trois Préludes et Fugues op. 7 (1912) - Prélude et Fugue en si majeur in B major H-Dur: Animato (Prélude)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:50&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Trois Préludes et Fugues op. 7 (1912) - Prélude et Fugue en si majeur in B major H-Dur: Un peu moins vite (Fug&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Trois Préludes et Fugues op. 7 (1912) - Prélude et Fugue en fa mineur in f minor f-Moll: Cantabile (Prélude)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:52&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Trois Préludes et Fugues op. 7 (1912) - Prélude et Fugue en fa mineur in f minor f-Moll: Moderato (Fugue)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:10&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Trois Préludes et Fugues op. 7 (1912) - Prélude et Fugue en sol mineur in g minor g-Moll: Vivace (Prélude)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:17&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Trois Préludes et Fugues op. 7 (1912) - Prélude et Fugue en sol mineur in g minor g-Moll: Vif (Fugue)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:06&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jehan Alain: Trois Danses JA 120 (1940) - Joies, Joys, Freuden&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:44&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jehan Alain: Trois Danses JA 120 (1940) - Deuils, &amp;nbsp;Grief, Trauer&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;13:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Jehan Alain: Trois Danses JA 120 (1940) - Luttes, Combats, Kämpfe&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Esquisse op. 41 (1946) - Esquisse en ut majeur in C major C-Dur (publ. 1975)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Deux Esquisses op. 41 (1946) - Esquisse no. 1 en mi mineur in e minor e-Moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Marcel Dupré: Deux Esquisses op. 41 (1946) - Esquisse no. 2 en si bémol in b-flat minor b-Moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-ez3MvRinhj8/TxvvDEnK5pI/AAAAAAAABJ0/kpz8pn8jr7k/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="275" src="http://4.bp.blogspot.com/-ez3MvRinhj8/TxvvDEnK5pI/AAAAAAAABJ0/kpz8pn8jr7k/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/dupalaintrilogrost.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-2357253960719695657?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/2357253960719695657/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/marcel-dupre-jehan-alain-trilogies.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2357253960719695657'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2357253960719695657'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/marcel-dupre-jehan-alain-trilogies.html' title='RE-UP. Marcel Dupré, Jehan Alain: Trilogies - Gunther Rost. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CIE2yHZRvl8/Txvu7lZyqfI/AAAAAAAABJs/xzwzrhr7OlE/s72-c/front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-2538296365528684302</id><published>2012-01-22T01:49:00.000+01:00</published><updated>2012-02-05T18:58:10.650+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ostrobothnian Chamber Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='BIS'/><category scheme='http://www.blogger.com/atom/ns#' term='W.A. Mozart'/><category scheme='http://www.blogger.com/atom/ns#' term='Juha Kangas'/><category scheme='http://www.blogger.com/atom/ns#' term='Sharon Bezaly'/><title type='text'>RE-UP. BIS. Mozart - Flute Concertos etc.: Sharon Bezaly, Juha Kangas, Ostrobothnian Chamber Orchestra. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ekrt5owcnD0/Txta92FrQII/AAAAAAAABJc/7AOm1rEAurk/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://2.bp.blogspot.com/-ekrt5owcnD0/Txta92FrQII/AAAAAAAABJc/7AOm1rEAurk/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 2.66GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 250MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.bis.se/index.php"&gt;BIS&lt;/a&gt;&amp;nbsp;| Catalog Number: 153901&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B000B0XQPU/?tag=sacdinfocom-20" style="font-weight: bold;"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/3316"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;A wonderful disc. Miss Bezaly is a fantastic flautist with musicality to match. As other site reviewers have noted, not all these pieces were written for flute (and one wasn't even arranged by Mozart) but one would never realise given the response of Bezaly and her accompanist.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The allegro's are played in a very spirited manner (without a trace of anything but selfless virtuosity) and the andante's sing beautifully from Bezaly's flute. The Ostrobothnian Chamber Orchestra under Juha Kungas are vivid in their response. The one area of potential controversy will be the cadenza's employed by Bezaly: Kalevi Aho wrote these "interludes" which feed on Mozart's material but some aspects are decidedly not Mozartian - the range &amp;amp; harmonic language mainly. I enjoy these tremendously refreshing ideas but fully appreciate that not everyone will - they take a certain amount of adjustment compared to the more conventional cadenzas usually favoured.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The recording is well up to the house standard and is tremendously well balanced.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Enjoyable.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto No.1 in G Major, KV313 (285c) - I. Allegro maestoso&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:16&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto No.1 in G Major, KV313 (285c) - II. Adagio ma non troppo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto No.1 in G Major, KV313 (285c) - III. Rondo. Tempo di Minuetto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:57&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Andante in C Major, KV 315 (285e)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:37&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Rondo in D Major, KV 184 Anh.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:56&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto No.2 in D Major, KV314 (285d) - I. Allegro aperto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:22&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto No.2 in D Major, KV314 (285d) - II. Adagio ma non troppo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:23&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto No.2 in D Major, KV314 (285d) - III. Rondeau. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-PTu8DZ8boTA/TxtbDOqmSmI/AAAAAAAABJk/bd85GIk09cQ/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://2.bp.blogspot.com/-PTu8DZ8boTA/TxtbDOqmSmI/AAAAAAAABJk/bd85GIk09cQ/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/bismozfcsharbez.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-2538296365528684302?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/2538296365528684302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/bis-mozart-flute-concertos-etc-sharon.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2538296365528684302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/2538296365528684302'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/bis-mozart-flute-concertos-etc-sharon.html' title='RE-UP. BIS. Mozart - Flute Concertos etc.: Sharon Bezaly, Juha Kangas, Ostrobothnian Chamber Orchestra. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-ekrt5owcnD0/Txta92FrQII/AAAAAAAABJc/7AOm1rEAurk/s72-c/front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-1836871119959490961</id><published>2012-01-21T21:53:00.001+01:00</published><updated>2012-02-05T18:58:32.868+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joseph Bonnet'/><category scheme='http://www.blogger.com/atom/ns#' term='Camille Saint-Saens'/><category scheme='http://www.blogger.com/atom/ns#' term='Ian Tracey'/><category scheme='http://www.blogger.com/atom/ns#' term='Cesar Franck'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Eugene Gigout (1844-1925)'/><category scheme='http://www.blogger.com/atom/ns#' term='Charles-Marie Widor'/><category scheme='http://www.blogger.com/atom/ns#' term='Charles Tournemire'/><title type='text'>RE-UP. Ian Tracey - Grandes Pieces Symphoniques. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Z962U9CHV5w/Txsiw6VlLYI/AAAAAAAABJM/YRBRmMlz8TY/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://1.bp.blogspot.com/-Z962U9CHV5w/Txsiw6VlLYI/AAAAAAAABJM/YRBRmMlz8TY/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.0 | 3.55GB&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 240MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;Chandos&amp;nbsp;| Catalog Number: CHSA 5056&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-size: small;"&gt;&lt;a href="http://www.amazon.com/dp/B000VPNK42/?tag=sacdinfocom-20" style="font-weight: bold;"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.sa-cd.net/showtitle/4844"&gt;sa-cd.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;I have tons of organ recordings and to buy something else, still more of the same, was unusual. I had never heard the Liverpool Cathedral instrument and was intrigued. Tracey does know this huge instrument and its space. I found his performance of the Grande Piece Symphonique of Franck to be especially pleasing. I was lucky enough to hear Dupre play this piece at Ste. Sulpice and nothing equalled that experience, however Tracey does do a very excellent job with this and all on the CD. I'm happy I bought it.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;01 Tournemire: L'Orgue Mystique, Opp. 55-57: Improvisation Sur Le 'Te Deum'&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;02 Bonnet: Douze Pièces: Elves, Op. 7 (No. 11)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;03 Bonnet: Douze Pièces: Lamento, Op. 5 (No. 2)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:17&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;04 Saint-Saëns: Sept Improvisations, Op. 150: Allegro Giocoso (No. 7)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;05 Franck: Grande Pièce Symphonique, Op. 17: Andante Serioso - Allegro Non Troppo E Maestoso -&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;10:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;06 Franck: Grande Pièce Symphonique, Op. 17: Andante - Allegro -&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:04&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;07 Franck: Grande Pièce Symphonique, Op. 17: Andante - Andante Serioso - Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:21&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;08 Gigout: Dix Pièces: Scherzo (No. 8)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:24&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;09 Widor: Symphonie, Op. 13 No. 4: 1. Toccata&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:22&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;10 Widor: Symphonie, Op. 13 No. 4: 2. Fugue. Moderato Assai&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:29&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;11 Widor: Symphonie, Op. 13 No. 4: Andante Cantabile. Dolce&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:34&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;12 Widor: Symphonie, Op. 13 No. 4: Scherzo. Allegro Vivace&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;13 Widor: Symphonie, Op. 13 No. 4: Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:09&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;14 Widor: Symphonie, Op. 13 No. 4: Finale. Moderato&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-tw3k3C7MwUk/Txsj81MTDkI/AAAAAAAABJU/gXhqT-8kPAk/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://1.bp.blogspot.com/-tw3k3C7MwUk/Txsj81MTDkI/AAAAAAAABJU/gXhqT-8kPAk/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/jantracgranpiesym.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-1836871119959490961?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/1836871119959490961/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/ian-tracey-grandes-pieces-symphoniques.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/1836871119959490961'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/1836871119959490961'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/ian-tracey-grandes-pieces-symphoniques.html' title='RE-UP. Ian Tracey - Grandes Pieces Symphoniques. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Z962U9CHV5w/Txsiw6VlLYI/AAAAAAAABJM/YRBRmMlz8TY/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-4185258320484280820</id><published>2012-01-21T07:26:00.001+01:00</published><updated>2012-02-05T18:59:06.427+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leontyne Price'/><category scheme='http://www.blogger.com/atom/ns#' term='Isaac Albeniz'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Manuel De Falla'/><category scheme='http://www.blogger.com/atom/ns#' term='RCA Living Stereo'/><category scheme='http://www.blogger.com/atom/ns#' term='Enrique Granados'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Fritz Reiner'/><title type='text'>RE-UP. RCA LIVING STEREO: Fritz Reiner - Chicago SO - Leontyne Price: Spain. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/SnQVWqVF9zI/AAAAAAAAAU0/DUr-jv6qepg/s1600-h/front250.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5364936535169169202" src="http://2.bp.blogspot.com/_CqKk2gPm3lo/SnQVWqVF9zI/AAAAAAAAAU0/DUr-jv6qepg/s400/front250.jpg" style="cursor: pointer; float: left; height: 244px; margin-bottom: 10px; margin-left: 0pt; margin-right: 10px; margin-top: 0pt; width: 250px;" /&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Artist:&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.cso.org/main.taf?p=7,3,1,4,6"&gt;Fritz Reiner&lt;/a&gt;&amp;nbsp;-&amp;nbsp;&lt;a href="http://www.cso.org/index.html"&gt;Chicago SO&lt;/a&gt;&amp;nbsp;-&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Leontyne_Price"&gt;Leontyne Price&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Album:&lt;/span&gt;&amp;nbsp;&lt;span style="text-decoration: underline;"&gt;Spain:&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Manuel_de_Falla"&gt;Manuel De Falla&lt;/a&gt;&lt;/span&gt;&amp;nbsp;(1876 - 1946)&lt;span style="text-decoration: underline;"&gt;,&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Isaac_Alb%C3%A9niz"&gt;Isaac Albeniz&lt;/a&gt;&amp;nbsp;&lt;/span&gt;(1860 - 1909)&lt;span style="text-decoration: underline;"&gt;&amp;nbsp;,&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Enrique_Granados"&gt;Enrique Granados&lt;/a&gt;&amp;nbsp;&lt;/span&gt;(1867 - 1916)&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt;&amp;nbsp;2006&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Label:&lt;/span&gt;&amp;nbsp;&lt;a href="http://livingstereo.alongthehall.com/articles.html"&gt;RCA Living Stereo&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Catalog N°:&lt;/span&gt;&amp;nbsp;88697-04607&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Genre:&lt;/span&gt;&amp;nbsp;Classical, Orchestral&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;File Format:&lt;/span&gt;&amp;nbsp;SACD-ISO, eac_iso_flac_cue_log covers&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;01. Manuel de Falla: El amor brujo - 1. Introduction &amp;amp; Scene 00:36&lt;br /&gt;02. Manuel de Falla: El amor brujo - 2. In the Cave 02:38&lt;br /&gt;03. Manuel de Falla: El amor brujo - 3. Song of love's Sorrow 01:48&lt;br /&gt;04. Manuel de Falla: El amor brujo - 4. The Ghost 00:13&lt;br /&gt;05. Manuel de Falla: El amor brujo - 5. Dance of Terror 01:55&lt;br /&gt;06. Manuel de Falla: El amor brujo - 6. The Magic Circle 02:59&lt;br /&gt;07. Manuel de Falla: El amor brujo - 7. Midnight 00:43&lt;br /&gt;08. Manuel de Falla: El amor brujo - 8. Ritual Fire Dance 04:15&lt;br /&gt;09. Manuel de Falla: El amor brujo - 9. Scene 01:04&lt;br /&gt;10. Manuel de Falla: El amor brujo - 10. Song of the Will-o'-the Wisp 01:46&lt;br /&gt;11. Manuel de Falla: El amor brujo - 11. Pantomime 05:20&lt;br /&gt;12. Manuel de Falla: El amor brujo - 12. Dance of the Game of Love 02:57&lt;br /&gt;13. Manuel de Falla: El amor brujo - 13. The Bells of morning 01:31&lt;br /&gt;14. Manuel de Falla: The Three-Cornered Hat - 1. The Neighbors' Dance 03:20&lt;br /&gt;15. Manuel de Falla: The Three-Cornered Hat - 2. The Miller's Dance 02:40&lt;br /&gt;16. Manuel de Falla: The Three-Cornered Hat - 3. Final Dance 06:10&lt;br /&gt;17. Manuel de Falla: La vida breve - 1. Interlude 02:56&lt;br /&gt;18. Manuel de Falla: La vida breve - 2. Dance 03:40&lt;br /&gt;19. Isaac Albeniz: Iberia - Triana 05:05&lt;br /&gt;20. Enrique Granados: Goyescas - Intermezzo 05:40&lt;br /&gt;21. Isaac Albeniz: Iberia - Fete-dieu a Seville 08:00&lt;br /&gt;22. Isaac Albeniz: Iberia - Navarra 05:39&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: x-small; font-style: italic;"&gt;&lt;b&gt;These performances are MARVELOUS!!! Just get them and wallow in the lovely sonics and the warmth. Reiner may have been a crusty old stick, but these recordings dance in a very special way... DO NOT MISS... I have waited for years to hear this mastertape. I does NOT disappoint! Have you punched the BUY button YET???&lt;/b&gt;&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.amazon.com/Spain-Hybrid-SACD-Isaac-Albeniz/dp/B000KP7LZC" style="font-weight: bold;"&gt;Read more&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;a href="http://www.onlinedisk.ru/view/189606/back566.jpg" target="_blank"&gt;&lt;img alt="Free Image Hosting at www.onlinedisk.ru" border="0" src="http://www.onlinedisk.ru/cache/4c453b1c63cb9ab42235d16c19aa265b" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;download linkss:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/lsspain.html" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-size: 21px;"&gt;&lt;b&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-4185258320484280820?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/4185258320484280820/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/rca-living-stereo-fritz-reiner-chicago_21.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4185258320484280820'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4185258320484280820'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/rca-living-stereo-fritz-reiner-chicago_21.html' title='RE-UP. RCA LIVING STEREO: Fritz Reiner - Chicago SO - Leontyne Price: Spain. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_CqKk2gPm3lo/SnQVWqVF9zI/AAAAAAAAAU0/DUr-jv6qepg/s72-c/front250.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-4476789863058171792</id><published>2012-01-21T07:05:00.001+01:00</published><updated>2012-02-05T18:59:48.005+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chicago SO'/><category scheme='http://www.blogger.com/atom/ns#' term='RCA Living Stereo'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Ottorino Respighi (1879 - 1936)'/><category scheme='http://www.blogger.com/atom/ns#' term='Fritz Reiner'/><category scheme='http://www.blogger.com/atom/ns#' term='Claude Debussy (1862 - 1918)'/><title type='text'>RE-UP. RCA LIVING STEREO: Fritz Reiner - Chicago SO: Debussy - Respighi. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_CqKk2gPm3lo/Sng9N4b6OsI/AAAAAAAAAVE/blEVfPeUI88/s1600-h/front250.jpg"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5366106264708987586" src="http://4.bp.blogspot.com/_CqKk2gPm3lo/Sng9N4b6OsI/AAAAAAAAAVE/blEVfPeUI88/s400/front250.jpg" style="cursor: pointer; float: left; height: 244px; margin-bottom: 10px; margin-left: 0pt; margin-right: 10px; margin-top: 0pt; width: 250px;" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Artist:&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.cso.org/main.taf?p=7,3,1,4,6"&gt;Fritz Reiner&lt;/a&gt;&amp;nbsp;-&amp;nbsp;&lt;a href="http://www.cso.org/index.html"&gt;Chicago SO&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Album:&lt;/span&gt;&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Claude_Debussy"&gt;Claude Debussy&lt;/a&gt;&amp;nbsp;(1862 - 1918)&lt;span style="text-decoration: underline;"&gt;,&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Ottorino_Respighi"&gt;Ottorino Respighi&lt;/a&gt;&amp;nbsp;&lt;/span&gt;(1879 - 1936)&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt;&amp;nbsp;2006&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Label:&lt;/span&gt;&amp;nbsp;&lt;a href="http://livingstereo.alongthehall.com/articles.html"&gt;RCA Living Stereo&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Catalog N°:&lt;/span&gt;&amp;nbsp;88697-04607&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Genre:&lt;/span&gt;&amp;nbsp;Classical, Orchestral&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;File Format: &lt;/span&gt;SACD-ISO,&amp;nbsp;eac_iso_flac_cue_log covers&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01. Debussy - La mer: From Dawn Till Noon on the Sea 10:22&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02. Debussy - La mer: Play of the Waves 06:30&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03. Debussy - La mer: Dialogue of the Wind and the Sea 08:25&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04. Respighi - Fountains of Rome: The Fountain of Valle Giulia at Dawn 04:39&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05. Respighi - Fountains of Rome: The Triton Fountain at Morning 02:24&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06. Respighi - Fountains of Rome: The Fountain of Trevi at Midday 03:19&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;07. Respighi - Fountains of Rome: The Villa Medici Fountain at Sunset 05:26&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;08. Respighi - Pines of Rome: The pines of the Villa Borghese 02:43&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;09. Respighi - Pines of Rome: Pines Near a Catacomb 06:46&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;10. Respighi - Pines of Rome: The Pines of the Janiculum 06:28&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;11. Respighi - Pines of Rome: The Pines of the Appian Way 05:12&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;These classic Living Stereo recordings will be familiar to most audio buffs and classical collectors. The usually-paired Respighi works were recorded in Chicago's Orchestra Hall in l959 and the Debussy the next year. BMG is to be commended for allowing us to now hear them just about as they were originally recorded, in three channels, and at a more reasonable price than the similar three-channel Golden Age series from Mercury Living Presence. The size and clarity of the soundstage is considerably expanded with the addition of the third channel, but if you're only set up for plain old stereo, the DSD processing will still provide a greatly enhanced sound experience over the standard CD reissues&lt;/b&gt;&lt;/span&gt;...&amp;nbsp;&lt;a href="http://www.audaud.com/article.php?ArticleID=1929" style="font-weight: bold;"&gt;Read more&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.onlinedisk.ru/view/191566/back1000fr.jpg" target="_blank"&gt;&lt;img alt="Free Image Hosting at www.onlinedisk.ru" border="0" src="http://www.onlinedisk.ru/cache/633e9dd90ef04323707f1ea8742a9de2" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000;"&gt;&lt;b&gt;download links:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/lsdeburespg.html" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-4476789863058171792?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/4476789863058171792/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/rca-living-stereo-fritz-reiner-chicago.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4476789863058171792'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4476789863058171792'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/rca-living-stereo-fritz-reiner-chicago.html' title='RE-UP. RCA LIVING STEREO: Fritz Reiner - Chicago SO: Debussy - Respighi. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_CqKk2gPm3lo/Sng9N4b6OsI/AAAAAAAAAVE/blEVfPeUI88/s72-c/front250.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-8034936999409278337</id><published>2012-01-20T05:37:00.001+01:00</published><updated>2012-02-05T18:57:43.425+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Corigliano'/><category scheme='http://www.blogger.com/atom/ns#' term='Jerry Junkin'/><category scheme='http://www.blogger.com/atom/ns#' term='Pure Audio Blu-ray Disc'/><category scheme='http://www.blogger.com/atom/ns#' term='The University of Texas Wind Ensemble'/><title type='text'>RE-UP. John Corigliano - Circus Maximus: Jerry Junkin. The University of Texas Wind Ensemble. Pure Audio Blu-ray Disc</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-rpI2t69ZriY/TxjpXH_KxLI/AAAAAAAABI8/99Z01NB0X4s/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-rpI2t69ZriY/TxjpXH_KxLI/AAAAAAAABI8/99Z01NB0X4s/s320/front.jpg" width="279" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Blu-Ray Audio | PCM Stereo / DTS-HD Master Audio 5.1 - 24bit 96kHz, Covers | 6.49GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Demux Audio | FLACs Stereo 24bit 96kHz, Covers | 888MB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;i style="font-size: small;"&gt;Classical | Label: NAXOS | Catalog Number: NBD0008&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;b&gt;“When we first released this recording on CD I promised the composer that it would be our first Blu-ray Audio release. The work was conceived for surround sound and here it is in all its glory, a sound spectacular if there ever was one.” –Klaus Heymann&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;b&gt;“Wow. Zowie. Astounding. There simply aren't enough adjectives to describe this amazing audio Blu-ray … Corigliano composed&amp;nbsp;&lt;i&gt;Circus Maximus&lt;/i&gt;&amp;nbsp;with space in mind, and it shows in virtually every note. This is one of the most amazingly visceral surround tracks I've ever experienced.” –&amp;nbsp;&lt;i&gt;Blu-ray.com&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://www.naxos.com/catalogue/item.asp?item_code=NBD0008"&gt;naxos.com&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;a href="http://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=NBD0008&amp;amp;catNum=NBD0008&amp;amp;filetype=About%20this%20Recording&amp;amp;language=English#" style="background-color: white; color: red; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;" target="_blank"&gt;&lt;span style="font-family: Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;About this Recording&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;b style="font-size: small;"&gt;Reviews:&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56432" style="background-color: #efefef; color: red; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;Fanfare, May 2011&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56416" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;The Perfect Vision (AVguide), March 2011&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56414" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Fanfare, March 2011&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56434" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Soundstage.com, March 2011&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56418" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;MusicWeb International, January 2011&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56428" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Blu-rayDefinition.com, November 2010&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56420" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;David's Review Corner, November 2010&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56426" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Positive Feedback Online, November 2010&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56422" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Blu-ray.com, October 2010&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56424" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Audiophile Audition, October 2010&amp;nbsp;&lt;/a&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;img border="0" src="http://www.naxos.com/images/dot.gif" style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;" /&gt;&lt;span style="background-color: #efefef; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/reviews/reviewslist.asp?catalogueid=NBD0008&amp;amp;languageid=EN#56430" style="background-color: #efefef; color: blue; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-decoration: none;"&gt;Fulvue Drive-in, October 2010&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Symphony No. 3, "Circus Maximus"&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;1. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; I. Introitus 00:03:27&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;2. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; II. Screen / Siren 00:04:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;3. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; III. Channel surfing 00:05:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;4. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; IV. Night Music I 00:06:41&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;5. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; V. Night Music II 00:04:00&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;6. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; VI. Circus Maximus 00:04:05&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;7. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; VII. Prayer 00:05:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; VIII. Coda: Veritas 00:01:40&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Gazebo Dances (version for wind band)&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;9. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; I. Overture 00:04:49&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; II. Waltz 00:02:57&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; III. Adagio 00:06:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;12. &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt; IV. Tarantella 00:02:34&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="font-size: small;"&gt;Total Playing Time: 52:54&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;em style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;&lt;b&gt;Chris Martens&lt;/b&gt;&lt;/em&gt;&lt;br /&gt;&lt;em style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.naxos.com/reviews/reviews.asp?publication=2036&amp;amp;datereviewed=showall#NBD0008" style="color: blue; text-decoration: none;"&gt;The Perfect Vision (AVguide)&lt;/a&gt;&lt;/em&gt;&lt;span style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;em style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;March 2011&lt;/em&gt;&lt;br /&gt;&lt;div style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;&lt;b&gt;&lt;i&gt;What is fascinating about this piece is that Corigliano composed&amp;nbsp;Circus Maximus&amp;nbsp;with the explicit intent that it be performed&amp;nbsp;in the round&amp;nbsp;(in this case, in the Bass Concert Hall in Austin, TX). Thus, over the course of the performance, listeners will hear a large stage band in the front of the hall, a marching band that starts out at the rear of the hall, and a smaller “Surround Band,” which features small clusters of instruments placed above, behind, and to the sides of the audience.&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;&lt;b&gt;&lt;i&gt;In&amp;nbsp;Circus Maximus, Corigliano invites comparisons between the Circus Maximus of Rome in decline with today’s media excesses where, as Corigliano says, “many of us have become as bemused by the violence and humiliation that flood the 500-plus channels of our television screens as those mobs of imperial Rome who considered the devouring of human beings by starving lions just another Sunday show.” The result is a striking piece of music that is, by turns, beautiful, savage, and strange, and at times a bit unnerving.&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Verdana, Arial, Georgia, 'Times New Roman'; font-size: 11px; text-align: -webkit-auto;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-5qpGYUEuLlU/TxjrBv85jsI/AAAAAAAABJE/Nz2zEpyHog0/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-5qpGYUEuLlU/TxjrBv85jsI/AAAAAAAABJE/Nz2zEpyHog0/s320/back.jpg" width="298" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #cc0000;"&gt;download links:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/02/circmaxbrd.html" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;" target="_blank"&gt;&lt;b&gt;FileFactory&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;password:&amp;nbsp;&lt;b&gt;&lt;span style="color: #cc0000;"&gt;anbryk&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-8034936999409278337?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/8034936999409278337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/john-corigliano-circus-maximus-jerry.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/8034936999409278337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/8034936999409278337'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/john-corigliano-circus-maximus-jerry.html' title='RE-UP. John Corigliano - Circus Maximus: Jerry Junkin. The University of Texas Wind Ensemble. Pure Audio Blu-ray Disc'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-rpI2t69ZriY/TxjpXH_KxLI/AAAAAAAABI8/99Z01NB0X4s/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-859649814904994907</id><published>2012-01-20T05:04:00.001+01:00</published><updated>2012-01-20T05:04:41.092+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Christian Flor (1626-1697)'/><category scheme='http://www.blogger.com/atom/ns#' term='Sven-Ingvart Mikkelsen'/><category scheme='http://www.blogger.com/atom/ns#' term='Rued Langgaard'/><category scheme='http://www.blogger.com/atom/ns#' term='Nicolaus Bruhns (1665-1697)'/><category scheme='http://www.blogger.com/atom/ns#' term='C.E.F. Weyse (1774-1842)'/><category scheme='http://www.blogger.com/atom/ns#' term='Carl Nielsen (1865-1931)'/><category scheme='http://www.blogger.com/atom/ns#' term='Niels W. Gade (1817-1890)'/><category scheme='http://www.blogger.com/atom/ns#' term='Dieterich Buxtehude'/><title type='text'>RE-Release. 400 Years Of Danish Organ Music. Box Set 3 CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-asNn3VYdUiM/TxjcU21_ZTI/AAAAAAAABIs/c_WEd2dPOA0/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="249" src="http://4.bp.blogspot.com/-asNn3VYdUiM/TxjcU21_ZTI/AAAAAAAABIs/c_WEd2dPOA0/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG, scans |&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small;"&gt;&lt;b&gt;3 CD 909MB | COMPLETE SCANS 180MB&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Organ Music | Label: CLASSICO | Catalog Number: 328-30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;FileServe.com, FileSonic.com, FileFactory&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;An antology of danish organ music from sixteenth to twentieth centuries played by Sven-Ingvart Mikkelsen on the three organs in the chapel of Frederiksborg Castle...&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-weight: bold;"&gt;&lt;a href="http://www.amazon.co.uk/400-Years-Danish-Organ-Music/dp/B000EU1JXS" style="font-weight: bold;"&gt;amazon.co.uk&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Disc 1: Compenius organ 1610&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Diderik Buxtehude (1637-1707) - Praeludium in C, BuxWV 136&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 05:25&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Diderik Buxtehude (1637-1707) - Wie schoen leuchtet der Morgenstern, BuxWV 223&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 07:02&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Diderik Buxtehude (1637-1707) - Aria: Rofilis, BuxWV 248&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:21&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Nicolaus Bruhns (1665-1697) - Nun kommt der Heiden Heiland 09:22&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Christian Flor (1626-1697) - Ein feste Burg iet unsere Gtt&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:58&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Christian Flor (1626-1697) - Suite in d&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 07:48&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Johan Lorentz (1610-1689) - Praeludium in d&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:00&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Johan Lorentz (1610-1689) - La Folie d'Espagne&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:05&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Johann Rudolf Radeck (1610-1663) - Engellischer Mascharada&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:53&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Samuel Scheidt (1587-1654) - Galliarda - Variationer: The King of Denmarks Galiard&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 08:37&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Aksel Andersen (1912-1977) - Hamadryas Compenii&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 14:26&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Disc 2: Marcussen organ 1864&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Festligt praeludium over salmen "Lover den Herre"&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 05:23&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Andante g-moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:29&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Choral og variation&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:51&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Trio C-Dur&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:24&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Trio F-Dur&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:09&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - "Aleneste Gud i Himmerig"&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 00:45&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - "Fra Himlen hojt kom budskab her" (I) 00:55&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - "Fra Himlen hojt kom budskab her" (II) 01:55&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Tonestykke d-moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:44&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Orgelstykke c-moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:14&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Andante con moto d-moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:44&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Andante C-Dur&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 04:02&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 1&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:32&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 2&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:17&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 3&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:19&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 4&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:57&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 5&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:32&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 6&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:41&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 7&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:09&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;C.E.F. Weyse (1774-1842) - 32 lette Orgelpraeludier til Brug ved Gudstjenesten 8&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:37&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;21.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Sorgemarsch&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:22&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;22.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - "Af Hojheden oprunden er"&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:53&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;23.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - "Hvo ikkun lader Herren raede" (I)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:22&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;24.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - "Hvo ikkun lader Herren raede" (II)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:39&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;25.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Tonestykke F-Dur&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 06:21&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;26.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Tonestykke C-Dur&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:27&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;27.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Niels W. Gade (1817-1890) - Tonestykke a-moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 05:03&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;Disc 3: Andersen organ 1972&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Carl Nielsen (1865-1931) - Festpraeludium ved Aarhundredskiftet&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:41&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Rued Langgaard (1893-1952) - Fjerde Sondag i Advent (BVN 210, 4)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 03:18&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Rued Langgaard (1893-1952) - "Begraved" - Forste Sondag efter Trinitatis (BVN 279)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:48&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Rued Langgaard (1893-1952) - Praeludium E-Dur (BVN 410)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:03&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;I.P.E. Hartmann(1805-1900) - Fantasi F-moll&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 09:43&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;J.A.P. Schulz (1747-1800) - Andante sostenuto A-Dur, Opus 1,2&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 04:37&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Christian Geist (1640-1711) - Allein Gott in der Hoeh sei Ehr&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:12&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Christian Geist (1640-1711) - Aus tiefer Not schrei ich zu dir&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:33&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Christian Geist (1640-1711) - Gelobet seist du, Jesu Christ&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:03&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Peter Moeller (1947-1999) - Naer morket jorden blinder&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:29&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Peter Moeller (1947-1999) - Tunge, moerke nattesskyer&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 02:22&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Peter Moeller (1947-1999) - Vaegt op og slae pae dine strenge&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 01:30&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Aksel Krogslund Olesen (1957-) - Intermezzo (2000)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 04:04&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Bent Lorentzen (1935-) - Mercurius (1995)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 04:40&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Bent Lorentzen (1935-) - Venus (1996)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 07:49&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt;Bent Lorentzen (1935-) - Saturnus (1996)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;	&lt;/span&gt; 05:38&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;Performer&lt;b&gt;: Sven-Ingvart Mikkelsen&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div class="separator" style="clear: both; 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Box Set 3 CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-asNn3VYdUiM/TxjcU21_ZTI/AAAAAAAABIs/c_WEd2dPOA0/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-4489207556069839364</id><published>2012-01-18T15:17:00.000+01:00</published><updated>2012-02-05T18:57:09.865+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Georg Philipp Telemann'/><category scheme='http://www.blogger.com/atom/ns#' term='Pratum Integrum Orchestra'/><title type='text'>RE-UP. G.P. 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font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Ouverture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:25&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Rondeau&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:37&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Passepied&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:55&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Sarabande&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Echo. Vistement&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:33&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Passacaglia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g8) - Menuet&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:18&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in B flat major (TWV 55:B11) - Ouverture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:55&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in B flat major (TWV 55:B11) - Le repos interrompu&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in B flat major (TWV 55:B11) - La guerre en la paix&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:12&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in B flat major (TWV 55:B11) - Les vainqueurs vaincus&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:41&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in B flat major (TWV 55:B11) - La solitude associée&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:42&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in B flat major (TWV 55:B11) - L’espérance de Mississippi. Vistement&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:19&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Ouverture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Invention I. Modéré&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:44&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Invention II. Légèrement&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:49&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Invention III. Grave – Vite – Grave – Vite – Grave – Vite&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:51&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Invention IV. Avec douçeur&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:08&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Invention V. Vivement&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in A major (TWV 55:A7) - Invention VI&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:17&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;b&gt;disc 2&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in E minor (TWV 55:e10) - Ouverture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in E minor (TWV 55:e10) - Rigaudon&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:10&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in E minor (TWV 55:e10) - Carillon&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in E minor (TWV 55:e10) - Air. Tendrement&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in E minor (TWV 55:e10) - Gig&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in E minor (TWV 55:e10) - Menuet&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:17&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g7) - Ouverture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;08:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g7) - Cajolerie&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:19&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g7) - Rondeau&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:29&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g7) - Loure&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:11&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g7) - Gavotte&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in G minor (TWV 55:g7) - Menuet&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:03&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - Ouverture&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:59&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - [Réjouissance]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:30&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - [Hornpipe]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:45&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - [Menuet]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:20&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - Modérément vite [Rigaudon en Rondeau]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:31&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - Gayment [Forlane]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:55&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-small;"&gt;&lt;i&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Orchestral suite in F major (TWV 55:F12) - Vite [Bourrée]&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:56&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="main" style="background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 12px; text-align: left; vertical-align: top;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="main" style="font-size: 12px; text-align: left; vertical-align: top;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top"&gt;&lt;div align="right"&gt;&lt;b&gt;&lt;br class="Apple-interchange-newline" /&gt;Total time [68:37]&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td height="31"&gt;&lt;div class="main" style="vertical-align: top;"&gt;&lt;img height="23" src="http://www.caromitis.com/images/ornament.gif" width="630" /&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="main" style="font-size: 12px; text-align: left; vertical-align: top;" width="79%"&gt;&lt;div class="main" style="vertical-align: top;"&gt;Text of the booklet is available in&amp;nbsp;&lt;b&gt;&lt;a class="main_blue" href="http://www.caromitis.com/eng/catalogue/booklets/cm0022010.html" style="color: #405279; text-decoration: none; vertical-align: top;" target="_blank"&gt;English&lt;/a&gt;&lt;/b&gt;, German, and Russian.&lt;/div&gt;&lt;table border="0" cellpadding="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="106"&gt;&lt;img height="110" src="http://www.caromitis.com/images/catalogue/press.jpg" width="100" /&gt;&lt;/td&gt;&lt;td class="main" style="font-size: 12px; text-align: left; vertical-align: top;" valign="top" width="419"&gt;&lt;br /&gt;&lt;b class="main_blue" style="color: #405279; vertical-align: top;"&gt;Disc reviews:&lt;/b&gt;&lt;/td&gt;&lt;td class="main" style="font-size: 12px; text-align: left; vertical-align: top;" valign="top" width="95"&gt;&lt;a href="http://www.schallplattenkritik.de/bestenlisten/496-bestenliste-4-2011" style="color: black; font-size: 8pt;" target="_blank"&gt;&lt;img alt="" border="0" height="86" src="http://www.caromitis.com/images/kritik.gif" width="91" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="background-color: white; font-family: Verdana, Arial, sans-serif;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td height="1"&gt;&lt;/td&gt;&lt;td height="1"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-RppKV4dOiNA/TxbQpMiQlzI/AAAAAAAABIc/yxtTRd-Xluw/s1600/back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="249" src="http://3.bp.blogspot.com/-RppKV4dOiNA/TxbQpMiQlzI/AAAAAAAABIc/yxtTRd-Xluw/s320/back.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-style: italic;"&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://ivan-my-links.blogspot.com/2012/01/gptcos4.html" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;sacdps3&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-4489207556069839364?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/4489207556069839364/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/gp-telemann-complete-orchestral-suites_18.html#comment-form' title='18 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4489207556069839364'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/4489207556069839364'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/gp-telemann-complete-orchestral-suites_18.html' title='RE-UP. G.P. Telemann - Complete Orchestral Suites, Vol. 4 - Pratum Integrum Orchestra. 2xSACD-ISO + 2xCD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-96aeAhzaqIw/TxbQi46BZhI/AAAAAAAABIU/eTZnrJgXybg/s72-c/front.jpg' height='72' width='72'/><thr:total>18</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3341994704416909388</id><published>2012-01-17T09:29:00.000+01:00</published><updated>2012-01-17T09:29:29.323+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Otto Maling (1848-1915)'/><category scheme='http://www.blogger.com/atom/ns#' term='Helge Gramstrup'/><title type='text'>RE-Post. Danish Organ Music: Otto Maling (1848-1915): Organ Works - Helge Gramstrup.</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-0MegrBcMpvY/TxUuG2SwoqI/AAAAAAAABIE/UFbwVNebIfg/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://3.bp.blogspot.com/-0MegrBcMpvY/TxUuG2SwoqI/AAAAAAAABIE/UFbwVNebIfg/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG, scans | 284MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;DACAPO&amp;nbsp;| Catalog Number:&amp;nbsp;&lt;/i&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8.224023&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.amazon.com/Otto-Malling-Paulus-Frelserens-Korset/dp/B0000277WQ/ref=sr_1_2_title_0_main?s=music&amp;amp;ie=UTF8&amp;amp;qid=1326787253&amp;amp;sr=1-2" style="font-weight: bold;"&gt;&lt;span style="color: #cc0000;"&gt;amazon.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Paulus. Stemningsbilleder for Orgel, Op. 78 (1903) - I Saulus raser mod Herrens Disciple&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:57&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Paulus. Stemningsbilleder for Orgel, Op. 78 (1903) - II Pa Vejen til Damaskus&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:07&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Paulus. Stemningsbilleder for Orgel, Op. 78 (1903) - III Saulus Bliver seende og omvender sig&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:43&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Paulus. Stemningsbilleder for Orgel, Op. 78 (1903) - IV Paulus forkynder Evangelier og lider Forfolgelse&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:48&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Paulus. Stemningsbilleder for Orgel, Op. 78 (1903) - V Folker holder Paulus en Gud og ofrer til ham&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Paulus. Stemningsbilleder for Orgel, Op. 78 (1903) - VI Kjaerlighedens Gave&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:56&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Frelserens syv Ord paa Korset. Stemningsbilleder for Orgel, Op. 81 (1904) - I Indledning. Gangen til Golgatha&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:53&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Frelserens syv Ord paa Korset. Stemningsbilleder for Orgel, Op. 81 (1904) - II Kjaerlighedens Ord&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;07:50&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Frelserens syv Ord paa Korset. Stemningsbilleder for Orgel, Op. 81 (1904) - III Lidelsens Ord&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Frelserens syv Ord paa Korset. Stemningsbilleder for Orgel, Op. 81 (1904) - IV Sejrens Ord&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:36&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Frelserens syv Ord paa Korset. Stemningsbilleder for Orgel, Op. 81 (1904) - V Epilog, med Slutkor&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:26&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;Performer:&lt;/b&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.dacapo-records.dk/en/artist-helge-gramstrup.aspx" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Helge Gramstrup&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-BXNT74usQTA/TxUuRTp6WDI/AAAAAAAABIM/ZH5dr9pEKjk/s1600/Resize+of+back+cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="258" src="http://1.bp.blogspot.com/-BXNT74usQTA/TxUuRTp6WDI/AAAAAAAABIM/ZH5dr9pEKjk/s320/Resize+of+back+cover.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://www.filesonic.com/folder/20209595" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/4d1fe8cd921856b3/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/KvEpSGu" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;anbryk&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-3341994704416909388?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/3341994704416909388/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-danish-organ-music-otto-maling.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3341994704416909388'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3341994704416909388'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-danish-organ-music-otto-maling.html' title='RE-Post. Danish Organ Music: Otto Maling (1848-1915): Organ Works - Helge Gramstrup.'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-0MegrBcMpvY/TxUuG2SwoqI/AAAAAAAABIE/UFbwVNebIfg/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-7793325905759617039</id><published>2012-01-17T08:30:00.000+01:00</published><updated>2012-02-05T18:56:42.813+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ARTS'/><category scheme='http://www.blogger.com/atom/ns#' term='Harmonices Mundi'/><category scheme='http://www.blogger.com/atom/ns#' term='SACD-ISO + CD'/><category scheme='http://www.blogger.com/atom/ns#' term='Tomaso Albinoni'/><category scheme='http://www.blogger.com/atom/ns#' term='Claudio Astronio'/><title type='text'>RE-UP. ARTS. Tomaso Albinoni - Concerti a Cinque Op. 10: Claudio Astronio, Harmonices Mundi. SACD-ISO + CD</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vF3g1xWUXF8/TxUhTEjmxxI/AAAAAAAABH8/07fBFZcvxdk/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-vF3g1xWUXF8/TxUhTEjmxxI/AAAAAAAABH8/07fBFZcvxdk/s320/front.jpg" width="318" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; 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margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 4.31GB&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG | 463MB&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="center" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;Classical | Label: ARTS MUSIC | Catalog Number: 47747-8 SACD&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com&lt;/i&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="center" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.amazon.com/dp/B002HM40RS/?tag=sacdinfocom-20" rel="nofollow" style="color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;" target="_blank"&gt;amazon.com&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;&lt;a href="http://www.artsmusic.de/Concerti_a_cinque_op10_/topic/tyNavigationTopicID_107/shop_art_id/767/tpl/artsmusic_article_detail"&gt;artsmusic.de&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://sa-cd.net/showtitle/6045" rel="nofollow" style="color: brown;" target="_blank"&gt;sa-cd.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;/div&gt;&lt;h2 class="toggler toggler-active" style="background-color: #c2cbda; background-image: url(http://www.artsmusic.de/templates/pics/p08/togglerH2act.png); background-position: 0% 0%; background-repeat: no-repeat no-repeat; color: #333333; font-family: 'Trebuchet MS', Arial, Verdana, Helvetica, sans-serif; font-size: 13px; height: 43px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 70px; padding-right: 10px; padding-top: 12px;"&gt;&lt;br class="Apple-interchange-newline" /&gt;Description&lt;/h2&gt;&lt;div class="element" style="background-color: #c2cbda; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-top-color: initial; border-top-style: none; border-top-width: initial; color: #4f4f4f; font-family: 'Trebuchet MS', Arial, Verdana, Helvetica, sans-serif; font-size: 12px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-top: 0px;"&gt;&lt;div class="p-10" style="padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px;"&gt;&lt;div style="padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;About 1700 the Venetian composer Tomaso Albinoni published in his home town a collection of Sinfonias and Concerti a cinque which were to have great resonance especially north of the Alps. In the following years Albinoni wrote many more compositions of the same type which remained as manuscripts or were incorporated and published in organic collections of instrumental concertos. The series concluded with the Concerti a cinque in opus 10 published by Michel Charles Le Cène in Amsterdam in 1735 or 1736, when the composer's international fame was already consolidated. Albinoni's concertos were known and requested all over Europe, feeding a flourishing amateur market. Their success was closely linked to their characteristics: fantasy, felicitous melodic inspiration, demands of technique that were not excessive meant that these works were much sought after, especially by amateurs.&lt;/div&gt;&lt;div style="padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Albinoni is one of the very first composers who regularly used the three-movement form for concertos. This is the form already used by Giuseppe Torelli in the Sinfonias written for the instrumental groups at San Petronio in Bologna; but it is mainly through Albinoni that the model spread rapidly and found general application. The new genre of the Concerto Grosso had enjoyed a certain success at the time; based on dynamic contrasts and on the use of a great orchestral body set against a small group of three instruments, it was much used and appreciated especially in the Rome area.&lt;/div&gt;&lt;div style="padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Don't miss this wonderful recording with the ensemble Harmonices Mundi under the musical direction of Claudio Astronio presented by ARTS with 24bit/96kHz multichannel sound on a Hybrid SACD.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;Performers&lt;/b&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&amp;nbsp;-&amp;nbsp;&lt;/span&gt;&lt;a href="http://astronio.com/" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Claudio Astronio&lt;/a&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.bozenbaroque.it/homeeng.htm" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Harmonices Mundi&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-7yXVe6EVd8A/TmHYIYIuEcI/AAAAAAAAAJk/pr3FVqHm9DY/s1600/audfil1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="81" src="http://2.bp.blogspot.com/-7yXVe6EVd8A/TmHYIYIuEcI/AAAAAAAAAJk/pr3FVqHm9DY/s320/audfil1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: left;"&gt;&lt;b style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;01.&lt;/span&gt;&lt;span class="Apple-tab-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; white-space: pre;"&gt; &lt;/span&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;Concerto n. 4 in Sol Magg. - 1. Allegro&lt;/span&gt;&lt;span class="Apple-tab-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; white-space: pre;"&gt;  &lt;/span&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;04:23&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 4 in Sol Magg. - 2. Andante&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:53&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 4 in Sol Magg. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:11&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 11 in do min. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:24&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 11 in do min. - 2. Larghetto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:08&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 11 in do min. - 3. Allegro assai&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;01:40&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 9 in Do Magg. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:50&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 9 in Do Magg. - 2. Larghetto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:30&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 9 in Do Magg. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:52&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;10.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 8 in sol min. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;04:09&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;11.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 8 in sol min. - 2. Largo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:46&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;12.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 8 in sol min. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:09&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;13.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 5 in La Magg. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:51&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;14.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 5 in La Magg. - 2. (Andante)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:08&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;15.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 5 in La Magg. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:38&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;16.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 7 in Fa Magg. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:02&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;17.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 7 in Fa Magg. - 2. Andante&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:45&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;18.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 7 in Fa Magg. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:52&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;19.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 2 in sol min. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:24&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;20.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 2 in sol min. - 2. Andante&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:40&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;21.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 2 in sol min. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:14&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;22.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 1 in Si b Magg. - 1. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:08&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;23.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 1 in Si b Magg. - 2. Adagio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:25&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;24.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Concerto n. 1 in Si b Magg. - 3. Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;02:03&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;h2 class="p-l-10" style="background-color: #c7cfdd; color: #4f4f4f; font-family: 'Trebuchet MS', Arial, Verdana, Helvetica, sans-serif; font-size: 15px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 10px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto;"&gt;&lt;/h2&gt;&lt;h2 class="p-l-10" style="font-size: 15px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 10px; padding-right: 0px; padding-top: 0px;"&gt;Reviews:&lt;/h2&gt;&lt;div class="content" style="background-image: url(http://www.artsmusic.de/templates/pics/p08/bg_content.png); background-position: 0% 100%; background-repeat: no-repeat no-repeat; font-size: 12px; font-weight: normal; line-height: 17px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; width: 580px;"&gt;&lt;div class="doline pmb7" style="background-image: url(http://www.artsmusic.de/templates/pics/p08/dotted_line.png); background-position: 0% 100%; background-repeat: repeat no-repeat; margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div class="floatl" style="float: left;"&gt;&lt;h3 style="font-size: 12px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Audiophile Audition (23.03.2010)&lt;/h3&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;"String tone is glorious and silky in the disc, no hint at all of the annoying edginess that afflicts some standard Cds of string ensembles."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="doline pmb7" style="background-image: url(http://www.artsmusic.de/templates/pics/p08/dotted_line.png); background-position: 0% 100%; background-repeat: repeat no-repeat; margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div class="floatl" style="float: left;"&gt;&lt;h3 style="font-size: 12px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Turok's Choice (01.02.2010)&lt;/h3&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;"Eight of Tomaso Albinoni'sConcerti a Cinque, Op. 10 are virtuosically performed by Claudio Astronio and his Harmonices Mundi, an excellent non-period-instument group (...) "superb-sounding disc"&lt;/div&gt;&lt;/div&gt;&lt;div class="doline pmb7" style="background-image: url(http://www.artsmusic.de/templates/pics/p08/dotted_line.png); background-position: 0% 100%; background-repeat: repeat no-repeat; margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div class="floatl" style="float: left;"&gt;&lt;h3 style="font-size: 12px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Pizzicato (01.10.2009)&lt;/h3&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Unter der Leitung von Claudio Astronio trägt das excellente Ensemble Harmonices Mundi dem phantasievollen Charakter und der inspirierten Melodieführung vollauf Rechnung. Die Musik ist klangprächtig und voller vibrierender Lebendigkeit. (RéF)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="text clear-both" style="clear: both; margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0.5em;"&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: 'Times New Roman'; 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margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-7793325905759617039?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/7793325905759617039/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/arts-tomaso-albinoni-concerti-cinque-op.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7793325905759617039'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7793325905759617039'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/arts-tomaso-albinoni-concerti-cinque-op.html' title='RE-UP. ARTS. Tomaso Albinoni - Concerti a Cinque Op. 10: Claudio Astronio, Harmonices Mundi. SACD-ISO + CD'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vF3g1xWUXF8/TxUhTEjmxxI/AAAAAAAABH8/07fBFZcvxdk/s72-c/front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3128565948154083091</id><published>2012-01-16T10:35:00.000+01:00</published><updated>2012-01-16T10:35:09.611+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jan Maegaard (b. 1926)'/><category scheme='http://www.blogger.com/atom/ns#' term='Svend Hvidtfelt Nielsen (b. 1958)'/><category scheme='http://www.blogger.com/atom/ns#' term='Axel Borup-Jorgensen (b. 1924)'/><category scheme='http://www.blogger.com/atom/ns#' term='Vagn Holmboe (b. 1909)'/><category scheme='http://www.blogger.com/atom/ns#' term='Eva Feldbaek'/><category scheme='http://www.blogger.com/atom/ns#' term='Pelle Gudmundsen-Holmgreen (b. 1931)'/><title type='text'>RE-Post. Danish Organ Music: Eva Feldbaek - 20th Century Organ Music.</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-6kTf0OxP-mE/TxPqgX2ZEwI/AAAAAAAABHk/1QSAeyYKVu4/s1600/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="319" src="http://1.bp.blogspot.com/-6kTf0OxP-mE/TxPqgX2ZEwI/AAAAAAAABHk/1QSAeyYKVu4/s320/front.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: xx-small; font-weight: bold;"&gt;EAC-RIP | FLAC-IMAGE, CUE, LOG, scans | 293MB&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i style="font-size: small;"&gt;Classical | Label:&amp;nbsp;DACAPO&amp;nbsp;| Catalog Number:&amp;nbsp;&lt;/i&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;8.224018&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;RAR 3% Rec. | FileSonic.com, FileFactory.com, FileServe.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.amazon.com/Works-Organ-Felbaek/dp/B00000466U/ref=sr_1_4_title_1_aud?s=music&amp;amp;ie=UTF8&amp;amp;qid=1326705383&amp;amp;sr=1-4" style="font-weight: bold;"&gt;&lt;span style="color: #cc0000;"&gt;amazon.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-size: small; text-align: center;"&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;Performer:&lt;/b&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.naxos.com/person/Eva_Feldbaek/204.htm" rel="nofollow" style="background-color: white; color: brown; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px; text-align: -webkit-auto;" target="_blank"&gt;Eva Feldbaek&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;01.&lt;/i&gt;&lt;span class="Apple-tab-span" style="font-style: italic; white-space: pre;"&gt; &lt;/span&gt;Axel Borup-Jorgensen (b. 1924)&lt;i&gt; - Winter music for organ and percussion Op. 113:2 (1986-87)&lt;/i&gt;&lt;span class="Apple-tab-span" style="font-style: italic; white-space: pre;"&gt; &lt;/span&gt;&lt;i&gt; 15:46&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;02.&lt;/i&gt;&lt;span class="Apple-tab-span" style="font-style: italic; white-space: pre;"&gt; &lt;/span&gt;Jan Maegaard (b. 1926)&lt;span style="font-style: italic;"&gt; - Partita for organ Op. 89 (1991)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; 11:23&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;03.&lt;/i&gt;&lt;span class="Apple-tab-span" style="font-style: italic; white-space: pre;"&gt; &lt;/span&gt;Svend Hvidtfelt Nielsen (b. 1958)&lt;span style="font-style: italic;"&gt; - Catafalque. Epic Chaconne for organ and harp (1989-90)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; 11:08&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;04.&lt;/i&gt;&lt;span class="Apple-tab-span" style="font-style: italic; white-space: pre;"&gt; &lt;/span&gt;Pelle Gudmundsen-Holmgreen (b. 1931)&lt;span style="font-style: italic;"&gt; - Octopus for organ, 2 players and assistant(s) (1989 rev. 1992) 22:15&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;05.&lt;/i&gt;&lt;span class="Apple-tab-span" style="font-style: italic; white-space: pre;"&gt; &lt;/span&gt;Vagn Holmboe (b. 1909)&lt;span style="font-style: italic;"&gt; - Fabula II for organ Op. 115 (1976)&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; 12:27&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-JxZxn9NQeuU/TxPqp9iRxWI/AAAAAAAABHs/2VQqyGtDEkE/s1600/Resize+of+back+cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="257" src="http://4.bp.blogspot.com/-JxZxn9NQeuU/TxPqp9iRxWI/AAAAAAAABHs/2VQqyGtDEkE/s320/Resize+of+back+cover.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="center" style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://www.filesonic.com/folder/20209595" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/f/4d1fe8cd921856b3/" rel="nofollow" style="color: brown;" target="_blank"&gt;FileFactory&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/list/KvEpSGu" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; text-align: -webkit-auto;"&gt;anbryk&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-3128565948154083091?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/3128565948154083091/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-danish-organ-music-eva-feldbaek.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3128565948154083091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/3128565948154083091'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-danish-organ-music-eva-feldbaek.html' title='RE-Post. Danish Organ Music: Eva Feldbaek - 20th Century Organ Music.'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-6kTf0OxP-mE/TxPqgX2ZEwI/AAAAAAAABHk/1QSAeyYKVu4/s72-c/front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-7719794302882282145</id><published>2012-01-16T08:47:00.001+01:00</published><updated>2012-01-16T08:47:16.426+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Franz Joseph Haydn'/><category scheme='http://www.blogger.com/atom/ns#' term='Studio Master'/><category scheme='http://www.blogger.com/atom/ns#' term='Marco Boni'/><category scheme='http://www.blogger.com/atom/ns#' term='Concertgebouw Chamber Orchestra'/><title type='text'>RE-Post. Haydn - Symphonies Nos. 22, 44, 64: Marco Boni, Concertgebouw Chamber Orchestra. Studio Master 88kHz-24bit stereo</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-H3JhTr78Tm0/TxPTr7aE6hI/AAAAAAAABHc/64dgQspNPB4/s1600/001ab4fd.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-H3JhTr78Tm0/TxPTr7aE6hI/AAAAAAAABHc/64dgQspNPB4/s320/001ab4fd.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;Studio Master | FLACs - 24bit 88kHz stereo, Cover | 865MB&lt;/b&gt;&lt;/span&gt;&lt;br style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif;" /&gt;&lt;i style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;Classical | Label: PentaTone Classics | Catalog Number: HD827949001666&lt;br /&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="post-body entry-content" style="position: relative; width: 528px;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;3 symphonies by F.J.Haydn: what a pity he is not played more nowadays. With 104 to choose from, there must be one able to please nearly every concertgoer.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;Maestro Boni chooses 3 from the early-mid-period, and conducts them very well: with elegance and thrust, but also perfect equilibrium, which is a sine-qua-non condition for this type of repertoire: music must flow naturally.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The Concertgebow Orchestra is and ideal vehicle for such good music.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;i&gt;The sound from Pentatone is the usual excellent one. A must disc!&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;b&gt;Performers: &lt;i&gt;Marco Boni, Concertgebouw Chamber Orchestra&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; line-height: 1.4;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 1.4;"&gt;&lt;a href="http://www.amazon.com/Joseph-Haydn-Symphonies-Hybrid-SACD/dp/B0000APVIT/ref=sr_1_1_title_1_aud?s=music&amp;amp;ie=UTF8&amp;amp;qid=1326699685&amp;amp;sr=1-1" style="color: #992211; text-decoration: none;"&gt;amazon.com&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 21px;"&gt;&lt;b&gt;&lt;a href="https://www.hdtracks.com/index.php?file=catalogdetail&amp;amp;valbum_code=HD827949001666"&gt;hdtracks&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span style="font-size: 15px; line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-size: small; font-style: italic;"&gt;Symphony No. 44 in E minor&lt;/div&gt;&lt;div style="font-size: small; font-style: italic;"&gt;Symphony No. 22 in E flat major&lt;/div&gt;&lt;div style="font-size: small; font-style: italic;"&gt;Symphony No. 64 in A major&lt;/div&gt;&lt;br /&gt;&lt;div style="font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;A thoroughly delightful disc of music, a selection of early-mid Haydn symphonies. They are well played by maestro Boni and the Concertgebouw players. I enjoyed each piece equally. The sound is the usual Pentatone excellence.&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Verdana, Helvetica, Arial, sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;One can only hope for more Haydn from this excellent combination.&amp;nbsp;&lt;/i&gt;&lt;a href="http://www.sa-cd.net/showtitle/1295"&gt;&lt;span style="color: #cc0000;"&gt; sa-cd.net&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: #333333; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.filesonic.com/file/389271854/Haydn_22_44_64-Marco_Boni_24-88_2.0.txt" rel="nofollow" style="color: brown;" target="_blank"&gt;FileSonic&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.filefactory.com/file/ca6ccba/n/Haydn_22_44_64-Marco_Boni_24-88_2.0.txt" target="_blank"&gt;&lt;span style="color: #990000;"&gt;FileFactory&lt;/span&gt;&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href="http://www.fileserve.com/file/qxDDjE7/Haydn_22_44_64-Marco_Boni_24-88_2.0.txt" rel="nofollow" style="color: brown;" target="_blank"&gt;FileServe&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small; text-align: -webkit-auto;"&gt;password:&amp;nbsp;&lt;/span&gt;&lt;b style="background-color: white; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small; text-align: -webkit-auto;"&gt;bambasm&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;span style="color: #cc0000; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/936147300151481047-7719794302882282145?l=organ-music-for-all.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://organ-music-for-all.blogspot.com/feeds/7719794302882282145/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-haydn-symphonies-nos-22-44-64.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7719794302882282145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/936147300151481047/posts/default/7719794302882282145'/><link rel='alternate' type='text/html' href='http://organ-music-for-all.blogspot.com/2012/01/re-post-haydn-symphonies-nos-22-44-64.html' title='RE-Post. Haydn - Symphonies Nos. 22, 44, 64: Marco Boni, Concertgebouw Chamber Orchestra. Studio Master 88kHz-24bit stereo'/><author><name>abryk</name><uri>http://www.blogger.com/profile/04897833759157283273</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-H3JhTr78Tm0/TxPTr7aE6hI/AAAAAAAABHc/64dgQspNPB4/s72-c/001ab4fd.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3429916978619623789</id><published>2012-01-15T22:55:00.000+01:00</published><updated>2012-01-15T11:29:26.873+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Franz Hauk'/><category scheme='http://www.blogger.com/atom/ns#' term='JOSEPH JONGEN (1873-1953)'/><category scheme='http://www.blogger.com/atom/ns#' term='Horatio Parker (1863-1919)'/><category scheme='http://www.blogger.com/atom/ns#' term='Charles-Marie Widor (1844-1937)'/><category scheme='http://www.blogger.com/atom/ns#' term='ORGAN and SYMPHONY'/><title type='text'>RE-Release. ORGAN and SYMPHONY: Widor, Jongen, Parker  - F. Hauk, Alfredo Ibarra, The Ingolstadt Philharmonie</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span class="Apple-style-span" style="color: #aabbcc; font-family: Verdana, Arial, sans-serif; font-size: 11px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="post-body entry-content" style="margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="post-body entry-content" style="margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="line-height: 1.6em; text-align: left;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_CqKk2gPm3lo/S4gVqnFAhkI/AAAAAAAAA4s/_HQW0CDsDok/s1600-h/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/_CqKk2gPm3lo/S4gVqnFAhkI/AAAAAAAAA4s/_HQW0CDsDok/s200/front.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;Artist:&lt;/span&gt;&amp;nbsp;&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Arial; font-size: 13px; white-space: pre;"&gt;&lt;a href="http://www.guildmusic.com/artists/haukf.htm" style="color: #779999;"&gt;Franz Hauk&lt;/a&gt;&lt;/span&gt;&amp;nbsp;(organ)&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Arial; font-size: 13px; white-space: pre;"&gt;,&amp;nbsp;&lt;a href="http://www.guildmusic.com/artists/Ibarraa.htm"&gt;Alfredo Ibarra&lt;/a&gt; (conductor), &lt;a href="http://www.guildmusic.com/artists/philhari.htm"&gt;The Ingolstadt Philharmonie&lt;/a&gt;&lt;/span&gt;&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Arial; font-size: 13px; white-space: pre;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;Album:&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.guildmusic.com/composer/widorc.htm"&gt;Charles-Marie Widor (1844-1937)&lt;/a&gt;, &lt;a href="http://www.guildmusic.com/composer/jongenj.htm"&gt;Joseph Jongen (1873-1953)&lt;/a&gt;, &lt;a href="http://www.guildmusic.com/composer/parkerh.htm"&gt;Horatio Parker (1863-1919)&lt;/a&gt;&amp;nbsp;&amp;nbsp;&lt;span style="text-decoration: underline;"&gt;&lt;a href="http://www.guildmusic.com/catalog/gui7182z.htm"&gt;(Triumphal Works for Organ and Orchestra)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;Released:&lt;/span&gt;&amp;nbsp;2000&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;Label:&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.guildmusic.com/" style="color: #779999;"&gt;Guild&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;Catalog N°:&lt;/span&gt;&amp;nbsp;GMCD 7182&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;Genre:&lt;/span&gt;&amp;nbsp;Classical&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-weight: bold;"&gt;File Format:&lt;/span&gt;&amp;nbsp;eac_flacs_cue_log &amp;nbsp;complete scans. 285MB&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;American Record Guide July/August 00 &amp;nbsp;Page 210/211&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-family: Times, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;span style="font-size: x-small;"&gt;This fascinating collection of little-known pieces for organ and orchestra was recorded in Liebfrauenmьnster Ingolstadt in 1998, using the 4 – 100+ Klais organ. The Widor work was commissioned to celebrate the 10th anniversary of the Villis Organ in Prince Albert Hall. Insteda of writing something new, Widor arranged two movements from his Symphony 6 and a slow, middle movement from Symphony 2. While this might strike some as an easy way out, the result is quite satisfactory. The opening Allegro manages to maintain a nice balance between organ and orchestra with sections for each to shine. The slow movement is very pleasant, but the organ is mostly occupied with quiet background commentary.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-family: Times, 'Times New Roman', serif; font-size: x-small;"&gt;&amp;nbsp;Jongen’s 1940 work to inaugurate a new organ in Belgium will immediately remind listeners of passages from his much better known Symphonie concertante. A short work (under 6 minutes), it has a strong, romantic flavour, with heroic brass and soaring strings. The same can be said of the longer and better crafted Hymne from 1924. Characteristic Jongen harmonies prevail, and one can revel in the haunting middle section, where slow-moving organ chords accompany a lovely string theme. If you enjoy the Symphonie concertante, you’ll love this piece.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-family: Times, 'Times New Roman', serif; font-size: x-small;"&gt;&amp;nbsp;The Parker concerto continues this romantic flavour, and if I and III are a bit disapointing, surely they are balanced by the stunning Andente. The orchestral writing is particularly noteworthy. Parker had a good sense of what works for each instrumental family. Too bad it was received with sugh indifference bz the critics. If you are unfamiliar with Parker’s compositions beyond his best-known Hora Navissima, this piece will surprise you.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-family: Times, 'Times New Roman', serif; font-size: x-small;"&gt;&amp;nbsp;Good performances all around. Unless there was some sneaky enhancement of the acoustics, the reverberation is splendid. It makes these pieces even grander than they are.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-size: 13px; white-space: pre;"&gt;&lt;span style="font-family: 'Times New Roman';"&gt;&lt;span style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-size: medium; white-space: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="line-height: 1.6em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;span style="font-weight: bold;"&gt;On this CD:&lt;/span&gt;&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;/i&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;01.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Charles-Marie Widor - Symphonie en sol mineur op. 42: Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:36&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;02.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Charles-Marie Widor - Symphonie en sol mineur op. 42: Andante&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;10:09&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;03.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Charles-Marie Widor - Symphonie en sol mineur op. 42: Final Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:55&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;04.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Joseph Jongen: Alleluja pour Orgue et Orchestre op. 112&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;05:42&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;05.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Joseph Jongen: Hymne pour Orgue et Orchestre op. 78&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;09:34&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;06.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Horatio Parker - Concerto op. 55: Allegro moderato&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:51&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;07.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Horatio Parker - Concerto op. 55: Andante&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:48&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;08.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Horatio Parker - Concerto op. 55: Allegretto, ma ben marcato&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;03:18&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;09.&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;Horatio Parker - Concerto op. 55: Allegro moderato, molto risoluto&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;  &lt;/span&gt;06:47&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small; font-style: normal;"&gt;&lt;b&gt;DDD Total Time = 79:40&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small; font-style: normal;"&gt;&lt;b&gt;Recorded: Das Muenster zur Schoenen Unserer Lieben Frau (The Klais-Organ), Ingolstadt 10 – 13 August 1998&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; line-height: 1.6em; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; line-height: 1.6em; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; line-height: 1.6em; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_CqKk2gPm3lo/S4gV39j8yKI/AAAAAAAAA40/Q7TFVTvRhKk/s1600-h/back.jpg" imageanchor="1" style="margin-left: 1em; 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ORGAN and SYMPHONY: Widor, Jongen, Parker  - F. Hauk, Alfredo Ibarra, The Ingolstadt Philharmonie'/><author><name>Ivan</name><uri>http://www.blogger.com/profile/16589306567076635575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_CqKk2gPm3lo/SafBEzu6odI/AAAAAAAAAA0/IMqaYcYvDd4/S220/avatar50457iw.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_CqKk2gPm3lo/S4gVqnFAhkI/AAAAAAAAA4s/_HQW0CDsDok/s72-c/front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-936147300151481047.post-3895485245617801076</id><published>2012-01-15T19:25:00.000+01:00</published><updated>2012-01-22T19:00:35.324+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Louis Vierne'/><category scheme='http://www.blogger.com/atom/ns#' term='Rheinberger'/><category scheme='http://www.blogger.com/atom/ns#' term='Liszt'/><category scheme='http://www.blogger.com/atom/ns#' term='HRx'/><category scheme='http://www.blogger.com/atom/ns#' term='Felix Hell'/><category scheme='http://www.blogger.com/atom/ns#' term='ALEXANDRE GUILMANT (1837-1911)'/><title type='text'>Felix Hell - Organ Sensation. HRx 176.4 kHz / 24-bit</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="color: black;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="font-family: Arial, Helvetica, sans-serif;" valign="top" width="835"&gt;&lt;div style="font-size: 12px;"&gt;&lt;br /&gt;&lt;img align="left" height="271" src="http://www.referencerecordings.com/images/HRx101_S.jpg" style="text-align: left;" width="196" /&gt;&lt;/div&gt;&lt;div style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;strong style="font-size: 12px;"&gt;&lt;em&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: medium;"&gt;Organ Sensation&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: medium;"&gt;&lt;br /&gt;Felix Hell&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;Prof. Johnson brilliantly captures the spectacular sounds of the massive Schoenstein Organ of First-Plymouth Congregational Church, Lincoln Nebraska. Felix Hell is one of the most exciting and remarkable organists on today's concert scene. His virtuosity and dazzling technique, and his profound understanding of the music is all the more remarkable in a musician just 17 years of age! He is gaining an international reputation as an up-and-coming superstar of the King of Instruments, and his gifts are fully on display in this recording of some of the greatest of the organ masterworks by Liszt (the great Fantasy and Fugue on Ad Nos ad Salutarem Undam, and the Prelude and Fugue on B.A.C.H.), Guilmant (Sonata No. 1), Vierne (Finale from Symphony No. 1) and Rheinberger ("Evening Peace").&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;"Felix Hell is billed as an 'organ sensation,' and he is all of that...(this CD) is awesome to listen to." -- &lt;/i&gt;Rejskind, UHF Magazine 5/06&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;'The newest CD from Felix Hell is a sonic blockbuster that may become a contender for status as one of the best organ recordings ever. . . For those who have been reading about Felix but have not heard him in concert, especially on a large instrument, THIS is the CD to purchase. . . Turn down the lights, crank up the volume and revel in it!" --&amp;nbsp;&lt;/i&gt;Rich Blacklock, PIPORG-L&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;div style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;div class="center" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div&gt;&lt;b&gt;FLACs 24bit-176,4kHz 2.0 | 2GB&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Classical | Label:&amp;nbsp;&lt;a href="http://www.referencerecordings.com/HRx1.asp" target="_blank"&gt;Reference Recordings&lt;/a&gt;&amp;nbsp;| Catalog Number: HR-101&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;RAR 3% Rec. | FileServe.com, FileSonic.com, FileFactory.com&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-4vyYQ1ibfME/TxMWt5-CXdI/AAAAAAAABG8/mAQoKnlkWt0/s1600/tech1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="72" src="http://3.bp.blogspot.com/-4vyYQ1ibfME/TxMWt5-CXdI/AAAAAAAABG8/mAQoKnlkWt0/s320/tech1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;1. F.A. Guilmant - Sonata No. 1 In D Minor: Introduction and Allegro&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;08:56&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;2. F.A. Guilmant - Sonata No. 1 In D Minor: Pastorale&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;08:29&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;3. F.A. Guilmant - Sonata No. 1 In D Minor: Final&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;07:30&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;4. J.G. Rheinberger - Abendfriede &amp;nbsp;4:11&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;5. Louis Vierne - Symphony No.1 - Final &amp;nbsp;5:41&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;6. Franz Liszt - Prelude &amp;amp; Fugue on BACH&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;12:18&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;7. Franz Liszt - Fantasy &amp;amp; Fugue on Ad nos, ad salutarem undam &amp;nbsp;28:18&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;HRx&amp;nbsp;&lt;strong&gt;DVD-R data discs&lt;/strong&gt;&amp;nbsp;contain exact, digit-for-digit copies of the original Reference Recordings 176.4 kHz / 24-bit digital masters. This is the ultimate in fidelity for two-channel sound: TRUE high-resolution audio,&amp;nbsp;ready to load from DVD-R data discs onto your computer music server!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Absolute Sound Review:&amp;nbsp;&lt;/strong&gt;"Reference Recordings, a company at the forefront of technical advancements for the past 30 years, has broken through the technical barriers to deliver to listeners the exact high-resolution digital bitstreams created during the recording sessions... Hearing these familiar pieces for the first time in high resolution was an absolutely mind-blowing experience... If you want the undisputed state-of-the-art in music reproduction right now, HRx is one thrilling ride. But consider yourself warned: Once you hear high-resolution digital done right, there's no going back." - Robert Harley,&amp;nbsp;&lt;em&gt;The Absolute Sound&lt;/em&gt;, January 2009&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;strong&gt;Best of Show&lt;/strong&gt;&amp;nbsp;award for “Greatest Technological Breakthrough: Reference Recordings’ HRx ultra-high resolution (176.4/24) digital music format.” (Alan Taffel:&amp;nbsp;&lt;em&gt;The Absolute Sound&lt;/em&gt;&amp;nbsp;April/May 2008)&lt;/div&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;To play HRx, the files on the DVD-R data disc must be uploaded to a computer music server, which then will play the music files through your audio system.&amp;nbsp;&lt;strong&gt;(You cannot play them on CD, DVD, or SACD players)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.computeraudiophile.com/reference_recordings_hrx_review" target="_blank"&gt;FIRST HRx Review&lt;/a&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.referencerecordings.com/HRx2.asp" style="background-color: white;"&gt;CLICK HERE FOR TECHNICAL INFORMATION&lt;/a&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;a href="http://www.referencerecordings.com/HRxORDER.asp"&gt;CLICK FOR AVAILABLE HRx TITLES&lt;/a&gt;&lt;/div&gt;&lt;div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: -webkit-auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clea
