UPGRADE. CPO. Carl Nielsen, Rued Langgaard: Organ Works - Friedhelm Flamme. SACD-ISO, FLAC 24bit 88.2kHz 2.0

Sony PS3 SACD to *ISO | DSD 1bit-2822,4kHz 2.0, 5.1 | 3.65GB
FLAC 24bit 88.2kHZ 2.0 | DR10 (+6.0dB gain) | 1.04GB

Classical | Label: CPO | Catalog Number: 777 414-2

RAR 3% Rec. 

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Tracklisting:

01. Carl Nielsen (1865-1931) Festival Prelude to the New Century 01:28
02. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 1 01:44
03. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 2 00:44
04. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 3 01:06
05. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 4 00:58
06. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 5 01:09
07. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 6 00:37
08. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 7 00:42
09. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 8 00:31
10. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 9 01:05
11. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 10 02:11
12. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 11 00:58
13. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 12 01:14
14. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 13 01:22
15. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 14 01:16
16. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 15 00:36
17. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 16 00:43
18. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 17 00:47
19. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 18 00:50
20. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 19 00:52
21. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 20 00:54
22. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 21 00:36
23. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 22 00:42
24. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 23 01:13
25. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 24 00:48
26. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 25 01:21
27. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 26 01:03
28. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 27 01:25
29. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 28 01:40
30. Carl Nielsen (1865-1931): 29 Short Preludes, Nr. 29 00:49
31. Carl Nielsen (1865-1931): Two Posthumous Preludes: Nr. 1 01:03
32. Carl Nielsen (1865-1931): Two Posthumous Preludes: Nr. 2 00:48
33. Carl Nielsen (1865-1931): Melody 00:44
34. Carl Nielsen (1865-1931): Commotio op. 58 20:15
35. Rued Langaard (1893 - 1952): Kristi Himmelfartsdag 02:02
36. Rued Langaard (1893 - 1952): Begravet 02:40
37. Rued Langaard (1893 - 1952): Hostpraeludium 04:19
38. Rued Langaard (1893 - 1952): Ved Axel Gades 02:16
39. Rued Langaard (1893 - 1952): Bryllupsmarsch 01:49

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NEW-UP. AEOLUS. Froberger edition vol.7: Capriccio - Bob van Asperen. SACD-ISO, FLAC 24bit 88.2kHz 2.0

Hybrid SuperAudio CD. Plays in all standard CD Players. SACD Stereo, SACD Multichannel Surround, CD Audio.

Watch in better resolution...

Audio samples:

 Capriccio I

 Capriccio II

 Capriccio IX

 Capriccio XIII

 Capriccio XVIII

"

Ces oevres trouvent finalement avec van Asperen un interprète complet.

" (Diapason)

"

La verve de Bob van Asperen peut s'y déployer en toute liberté. Tout se met à chanter et bien plus encore à danser.

" (Classica)

Froberger, Johann Jacob (1616-1667)

Froberger edition vol.7: Capriccio

Complete capriccios

Bob van Asperen (Organ)

Ludgerikirche Norden 

€ 18,99

Available methods of payment: PayPal ( What is PayPal? ) 
Customers from Germany: Invoice as well as PayPal

Contents:

Capriccio I
Capriccio II
Capriccio III
Capriccio IV
Capriccio V
Capriccio VI
Capriccio VII
Capriccio VIII
Capriccio IX
Capriccio X
Capriccio XII
Capriccio XIII
Capriccio XIV
Capriccio XV
Capriccio XVI
Capriccio XVII
Capriccio XVIII
Capriccio "XIX" (Innsbruck) 

Playing time: 1:19 (h:m)
Booklet: 36p., English German French
Order Nr. AE 10701
EAN 4026798107017
Product category: SACD
Release date: 15/11/2010

File Format: Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.91GB

FLAC 24bit 88.2kHZ 2.0 | DR11 (+6.0dB gain) | 1.37GB

Introduction:

A “seventeenth-century Art of Fugue” — The seventh volume of the Froberger Edition on AEOLUS is perhaps the craziest: a roller-coaster ride through the world of the fugue, performed with virtuosity and the spirit of adventure. Bob van Asperen plays himself here into an absolute frenzy!

Froberger’s Capriccios show a composer who not only perfectly mastered his métier, but drove his art forward to new heights. Not without reason, the accompanying text (written by the performer) points out many connections to the works of J. S. Bach. With Bob van Asperen, the Edition features an exceptional interpreter who performs these works just as passionately as knowledgeably. Eighteen multi-part Capriccios are to be heard, also including a recently discovered work.

As in all the other volumes of the Edition, an important historical instrument is employed: here it is the large Arp Schnitger organ of the Ludgerikirche in Norden (Eastern Friesland, Germany), which with its numerous stops allows the wealth of polyphony to resound.

For the recording of the Capriccio "XIX" ("Innsbruck") our new carbon organ microphone stand was used in the Ludgerikirche, Norden.

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UPGRADE. CPO. Friedhelm Flamme: Marcel Dupre - Le Chemin de la Croix. SACD-ISO, FLAC 24bit-88.2kHz 5.1, 2.0

Artist: Friedhelm Flamme - (Muehleisen Organ of Stiftskirche, Bad Gandersheim)

Album: Marcel Dupre - Le Chemin de la Croix

Released: 2005

Label: CPO

Catalog N°: SACD 777 128-2

Genre: Classical, Organ

File Format: Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.55GB

FLAC 24bit 88.2kHZ 2.0 | DR11 (+6.0dB gain) | 1.23GB
FLAC 24bit 88.2kHZ 5.1 | DR11 (+6.0dB gain) | 3.37GB

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...This is one of the finest organ discs IТve heard in years and even if you already have a version of Le Chemin de la Croix in your collection I suggest you consider investing in this issue as well. Recommended very strongly indeed. John Quinn

01 Pange lingua gloriosi corporis mysterium - 3:32
02 Station I: Jesus est condamne a mort (Jesus is condemned to death) - 2:44
03 Station II: Jesus est charge da le Croix (Jesus receives his cross) - 3:29
04 Crucem tuam adoramus - 2:00
05 Station III: Jesus tombe sous le poids de sa Croix (Jesus falls the first time) - 4:18
06 Station IV: Jesus rencontre sa mere (Jesus meets his mother) - 3:46
07 Christus factus est pro nobis - 3:46
08 Station V: Simon de Cyreneen aide Jesus a porter sa Croix (Simon of Cyrene helps Jesus to carry the cross) - 2:37
09 Station VI: Une femme pieuse essuise la face de Jesus (A woman [Veronica] wipes the face of Jesus) - 3:38
10 Station VII: Jesus tombe a terre pour la seconde foix (Jesus falls a second time) - 3:32
11 Station VIII: Jesus console les filles d'Israel qui le suivent (Jesus comforts the women of Jerusalem) - 4:55
12 Popule meus, quid feci tibi; Vers 1 - 5:12
13 Station IX: Jesus tombe pour la troisieme fois (Jesus falls a third time) - 3:31
14 Station X: Jesus est de pouille de ses vetements (Jesus is stripped of his clothes) - 2:57
15 Popule meus, quid feci tibi; Vers 2 - 2:16
16 Station XI: Jesus est attache sur la Croix (Jesus is nailed on the cross) - 3:53
17 Station XII: Jesus meurt sur la Croix (Jesus dies upon the cross) - 4:05
18 Stabat mater dolorosa - 6:11
19 Station XIII: Jesus est detache de la Croix et remis a sa Mere (The body of Jesus is taken from the cross and laid in Mary's bosom) - 2:56
20 Station XIV: Jesus est mis dans le sepulcre (The body of Jesus is laid in the tomb) - 6:07

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NEW-UP. CARO MITIS. J.B. de Boismortie: Sonatas for Harpsichord and Flute - Olga Martynova, Ivan Bushuev. SACD-ISO, FLAC 24bit-88.2kHz 2.0

Sony PS3 SACD to ISO | DST 1bit-2822,4kHz 2.0, 5.0 | 3.53GB FLAC 24bit 88.2kHZ 2.0 | DR12 (+6.0dB gain) | 1.15GBClassical | Label: CARO MITIS | Catalog Number: CM 0042011 RAR 3% Rec. Boismortier was a French Baroque composer who lived until 1755 and is distinguished for having been one of the first composers to make huge profits from publishing his music for public sale, and having no patrons. A music theorist of the time wrote of him “Happy be Boismortier, who fertile pen can give birth without pain to a new piece of music every month.”  To this, Boismortier would simply reply: “I’m earning money.”  He used the Italian concerto form and wrote many works for both instruments and voice. He dedicated his six sonatas of 1742 to a celebrated French flutist and composer, Michel Blavet, and due to their creative and graceful nature the works have remained among the most popular of Boismortier’s... caromitis.com amazon.com sa-cd.net Sonates pour clavecin et flûte traversière, op.91 Dédiées à Michel Blavet Sonatas for harpsichord and transverse flute, op.91 Dedicated to Michel Blavet   Sonate no 1 en Ré majeur  Sonata No.1 in D major 1   Sicilienne [2:41] 2   Gayement [3:20] 3   Gracieusement [2:13] 4   Gayement [2:35]           Sonate no 2 en Sol mineur Sonata No.2 in G minor 5   Gayement [3:11] 6   Gracieusement [3:07] 7   Gayement [3:29]           Sonate no 3 en Sol majeur Sonata No.3 in G major 8   Rondement – Gayement [4:01] 9   Air. Gracieusement [2:28] 10   Gayement [3:05]           Sonate no 4 en Mi mineur Sonata No.4 in E minor 11   Gayement [3:39] 12   Gracieusement [3:23] 13   Gayement [3:56]             Sonate no 5 en La majeur Sonata No.5 in A major 13   Legerement [4:31] 15   Gracieusement [3:40] 16   Gayement [3:29]             Sonate no 6 en Do mineur Sonata No.6 in C minor 17   Gayement [4:23] 18   Gracieusement [2:22] 18   Menuets I et II [3:14]               Total time [64:00]

Text of the booklet is available in English, German, and Russian. Disc reviews: Audiophile Audition ...The instrument of choice for an agreeable evening with an intimate circle of friends in Paris during this time was the transverse flute. It was known for its delicate sound and it had a ready audience. It was known as the “German flute,” and it gradually replaced its predecessor, the recorder.  Boismortier was fascinated by the flute, and his legacy includes works for from two to even five flutes, and combined with other instruments. Surprisingly, nobody else prior to Boismortier had thought of combining the transverse flute with the harpsichord, though it was a natural. Both instruments were at the very height of Parisian fashion. Thus the Six Sonatas went over most successfully. Their three-movement structure carries French titles, but corresponds to the Italian system of Allegro/Grazioso/Allegro. Boismortier joked that he put in “melodies like butterflies,” but both instrumental parts have complexities and depth. —John Sunier

Olga Martynova plays harpsichord from Von Nagel Workshop, Paris, 2005 / after N.&F. Blanchet, Paris, 1730 Ivan Bushuev plays transverse flute from R. Tutz, Innsbruck, Austria, 2002 / after G. A. Rottenburgh, Belgium, 1760s

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UPGRADE. MDG. Liszt: Organ Works Vol 2 - Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg. SACD-ISO, FLAC 24bit 88.2kHz 2.0

Artist: Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg
Album: Liszt: Organ Works Vol 2
Released: 2005

Label: MDG
Catalog N°: 906 1352-6
Genre: Classical
File Format: Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.80GB
FLAC 24bit 88.2kHZ 2.0 | DR12 (+6dB gain) | 1.07GB

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2+2+2 Recording

B-A-C-H and Liszt — two challenges with their own individual dimensions. The Gewandhaus organist Michael Schönheit, having pledged himself to this Western musical alliance, now presents a fascinating portrait of the historically most significant instrument of the Bach-Liszt tradition. On this album the magnificent Ladegast organ in the Merseburg Cathedral is documented in sound for the first time since its extensive reconstruction.

On this CD:
01.    Tu es Petrus        06:30
02.    Ave Maria von Arcedelt        04:40
03.    Ave Maria (WA Mozart)        03:06
04.    Evocation a la chapelle sixtine        20:51
05.    Fantasie und Fuge uber Ad nos: Fantasie        25:37
06.    Fuge        10:53

Even today the magnificent baroque front of the organ from the year 1697 commands the Merseburg Cathedral. Towering up into the vault, it fills the space between the towers, while the loft with the choir organ projects forward on the side to the western nave pillars. One of the most impressive romantic instruments north of the Alps is housed behind the baroque front: 5,700 pipes and the old Stahlspiel, in its time one of Germany’s largest organs, built by Friedrich Ladegast (1818-1905).

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UPGRADE. MDG. Liszt: Organ Works Vol 1 - Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg. SACD-ISO, FLAC 24bit 88.2kHz 2.0

Artist: Michael Schoenheit at Ladegast Orgel, Dom zu Merseburg
Album: Liszt: Organ Works Vol 1
Released: 2005

Label: MDG
Catalog N°: 906 1334-6
Genre: Classical
File Format: Sony PS3 SACD to *ISO | DST 1bit-2822,4kHz 2.0, 5.1 | 3.92GB
FLAC 24bit 88.2kHZ 2.0 | DR11 (+6dB gain) | 1.11GB

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2+2+2 Recording

B-A-C-H and Liszt — two challenges with their own individual dimensions. The Gewandhaus organist Michael Schönheit, having pledged himself to this Western musical alliance, now presents a fascinating portrait of the historically most significant instrument of the Bach-Liszt tradition. On this album the magnificent Ladegast organ in the Merseburg Cathedral is documented in sound for the first time since its extensive reconstruction.

On this CD:
01.    Franz Liszt - Praeludium und Fuge ueber das Thema B-A-C-H        14:43
02.    Franz Liszt - Weinen, Klagen, Sorgen, Zagen - Praeludium nach J.S. Bach        08:03
03.    Franz Liszt - Variationen ueber "Weinen, Klagen, Sorgen, Zagen"        19:17
04.    Franz Liszt - Bach Bearbeitung "Aus tiefer Not schrei ich zu dir"        05:32
05.    Franz Liszt - Bach Bearbeitung Adagio        04:04
06.    Franz Liszt - Bach Bearbeitung "Ich hatte viel Bekuemmernis"        06:12
07.    J.S. Bach - Passacaglia BWV 582 C minor        14:42

Even today the magnificent baroque front of the organ from the year 1697 commands the Merseburg Cathedral. Towering up into the vault, it fills the space between the towers, while the loft with the choir organ projects forward on the side to the western nave pillars. One of the most impressive romantic instruments north of the Alps is housed behind the baroque front: 5,700 pipes and the old Stahlspiel, in its time one of Germany’s largest organs, built by Friedrich Ladegast (1818-1905).

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